
Advertisement

Nina Simone
1 Listeners
Artist Bio
Nina Simone, born Eunice Kathleen Waymon, was more than just a singer; she was a force of nature. A prodigious talent initially destined for a career as a classical pianist, Simone's path diverged, leading her to the smoky clubs of Atlantic City and ultimately, to the world stage as one of the most distinctive and influential voices of the 20th century. Her genre-bending approach, drawing from jazz, blues, gospel, classical, and pop, defied easy categorization, a testament to her singular artistic vision.
Simone's early aspirations were rooted in the concert hall, but financial constraints led her to perform popular songs to make a living. This unexpected turn proved to be the catalyst for her unique style. While she may have initially seen it as a detour, it allowed her to explore the depths of human emotion through song, imbuing each performance with a raw honesty that resonated deeply with audiences. She wasn't just singing; she was channeling a lifetime of experiences, of joy and sorrow, of love and rage.
Her repertoire was vast and varied, ranging from tender ballads to fiery protest anthems. She could deliver a heartbreaking rendition of He Was Too Good To Me with delicate vulnerability, then turn around and unleash the defiant fury of Go to Hell. This duality was at the heart of her artistry.
Beyond her musical talent, Simone was a passionate advocate for civil rights. Her music became a powerful tool for social change, reflecting the struggles and triumphs of the African American experience. Songs like "Mississippi Goddam" (not available in our catalog), though controversial, became anthems of the movement, solidifying her role as a voice for the voiceless. Even seemingly simple love songs like Love O' Love took on new meaning when sung by Simone, imbued with a sense of hope and resilience in the face of adversity.
Later in her career, Simone's mental health struggles became more public, adding another layer of complexity to her persona. Yet, even through periods of instability, her artistic fire never dimmed. She continued to tour and record, captivating audiences with her intensely personal performances. Her interpretations of songs were never mere covers; she transformed them, making them her own. The poignant beauty of The Look of Love, for example, became a signature piece, showcasing her ability to convey profound emotion with just a few notes. And the hopeful message of I Wish I Knew How It Would Feel To Be Free continues to inspire generations. Simone's legacy is complex and multifaceted, but her impact on music and culture remains undeniable. Even a song like Brown Baby showed her range and ability to connect with listeners on a deeply personal level.
Popular Albums


Anthology

Nina Simone with Strings

Live At Montreux 1976

The Very Best of Nina Simone Vol. 2

Sugar in My Bowl: The Very Best of Nina Simone 1967-1972

Portrait

Feeling Good: Her Greatest Hits And Remixes

I Put a Spell on You

Live at Ronnie Scott’s

Little Girl Blue

Nina Simone and Her Friends

The Best of Nina Simone

Emergency Ward!

Baltimore

Let It All Out

Let It Be Me

Nina at the Villiage Gate

Wild Is the Wind

A Single Woman
Popular Songs
| Track Number | Song | Release Date | Album |
|---|---|---|---|
| 01 | Feeling Good | Jun 16, 1965 | Gold |
| 02 | I Wish I Knew How It Would Feel To Be Free | Oct 1, 1967 | Anthology |
| 03 | Sinnerman | Oct 1, 1965 | Gold |
| 04 | I Put a Spell On You | Jun 16, 1965 | Gold |
| 05 | Blackbird | Jan 1, 1966 | Nina Simone with Strings |
| 06 | Four Women | Jan 1, 1966 | Anthology |
| 07 | Strange Fruit | Oct 1, 1965 | Gold |
| 08 | Don't Let Me Be Misunderstood | Nov 1, 1964 | Gold |
| 09 | Mississippi Goddam | Mar 1, 1964 | Gold |
| 10 | Ain't Got No, I Got Life | May 13, 1968 | Anthology |
| 11 | Stars | Jan 1, 1976 | Live At Montreux 1976 |
| 12 | My Baby Just Cares For Me | Jun 24, 1958 | Gold |
| 13 | Baltimore | Jan 1, 1978 | The Very Best of Nina Simone Vol. 2 |
| 14 | I Loves You Porgy | Jun 24, 1958 | Anthology |
| 15 | Love Me or Leave Me | Jun 24, 1958 | Gold |
| 16 | The Other Woman (Live 1959) | Sep 15, 1959 | Anthology |
| 17 | Do What You Gotta Do | May 13, 1968 | Anthology |
| 18 | Wild Is the Wind | Sep 15, 1959 | Gold |
| 19 | To Be Young, Gifted and Black | Jan 1, 1970 | Anthology |
| 20 | Lilac Wine | Jan 1, 1966 | Feeling Good: Her Greatest Hits And Remixes |



















