Lie Buried with a Vengeance

Song Meaning

The lyrics paint a picture of intense internal turmoil and external disillusionment. The narrator feels a profound emptiness, a "something's missing" across multiple senses and emotional centers – mind, heart, ears, voice. This void is juxtaposed with a harsh perception of reality, repeatedly declared as "This is the real world." The opening "I rail at the sordid you" immediately establishes a confrontational tone, directing this existential angst outward towards an unspecified, morally corrupt "you." The core of the song seems to be a descent into a vengeful mindset as a response to this perceived emptiness and corruption. The narrator declares, "I am the soul of revenge," and urges a destructive impulse: "So attack, so attack, delete everything." This isn't a reasoned pursuit of justice, but a primal, almost nihilistic urge, as evidenced by "Crime without reason does exist." The repeated call to "Mind over all" suggests a desperate attempt to control the chaos, perhaps by suppressing emotion and embracing a cold, calculating approach to enacting vengeance. The writing employs stark, visceral imagery to convey this psychological state. The Japanese phrases, like "這いずり回る虚しき生き様さ" (a crawling, empty way of life) and "醜い叫び芽生える愛情か" (is it love that sprouts ugly screams?), amplify the sense of despair and twisted emotion. The narrator's self-questioning, "Has my head gone mad?" and "Has my heart gone mad?" highlights the internal struggle. The harsh epithets used for others – "溝鼠, ハイエナ, 糞豚ばかり" (rats in the gutter, hyenas, shit pigs) – reveal a deep-seated contempt and dehumanization, fueling the desire to "delete everything." This relentless focus on internal decay and external disgust, coupled with the aggressive, almost ritualistic repetition of phrases like "So attack" and "Taste the destiny," creates a powerful, suffocating atmosphere. The lyrics don't offer resolution, but rather immerse the listener in a state of raw, unreasoning fury. The final, explosive "Fuck, fuck, fuck" serves as a cathartic release, a final, guttural scream against the perceived "sordid" reality and the "motherfucker" at its center.