В замогильной стороне (In the sepulchral side)

Song Meaning

The lyrics paint a grim, surreal picture of a desolate, almost supernatural landscape. The recurring image of a "sepulchral side" and a "wind blowing" sets a tone of decay and inevitability. This wind causes icons to fall and a glass to be covered with a crust, suggesting a loss of faith and a descent into a crude, perhaps desperate, existence. It’s a place where the sacred and the mundane collide in a disquieting way, hinting at a spiritual void. The central tension seems to be the narrator's embrace of this bleak reality, finding a strange vitality within it. The "sepulchral side" is described as "our gloomy country," where mythical figures like Leshy party in the taiga and spirits Skype around a campfire. This juxtaposition of folklore, modern technology, and a sense of impending doom creates a darkly humorous and unsettling atmosphere. The narrator claims to be "fresh as a grave," aligning himself with this morbid environment, suggesting a defiant acceptance of its grim nature. A striking element is the subversion of traditional symbols and the embrace of the profane. The lyrics mention "dead water in bottles," and that "Chikatilo was healed by swamp grass," a disturbing image that links decay and healing. The guillotine is ironically called the "main symbol of enlightenment," and Orthodox ziplocks are mentioned alongside Dostoevsky rolling a blunt. This deliberate mixing of the sacred, the criminal, the philosophical, and the absurd highlights a world where established norms and beliefs have collapsed, replaced by a chaotic, primal energy. This lyrical tapestry is effective because it grounds its surrealism in visceral, often crude, imagery. The narrator’s voice is one of defiant immersion, finding a perverse joy in this "new festival of unclean forces." The constant return to the falling icons and covered glasses in the chorus reinforces the pervasive sense of spiritual and social disintegration, making the narrator's embrace of it feel both shocking and, in its own way, profoundly resonant with a feeling of being lost in a broken world.