I Prefer (OYA)

Song Meaning

Sandra St. Victor's "I Prefer (OYA)" isn't a wistful fantasy, but a declarative manifesto set to rhythm. The song meaning hinges on the power of preference as a form of protest, a conscious redirection of energy toward a more humane reality. St. Victor isn't merely listing desires; she's constructing a sonic architecture of values, daring the listener to question the status quo. The repetition of "I prefer" becomes a mantra, a subtle but insistent challenge to systems of oppression and apathy. It is not a passive wish, but an active choice. The invocation of "OYA" is a potent symbol, nodding to the Yoruba deity associated with change, transformation, and the fierce protection of women. It roots the song in a tradition of spiritual resistance and empowerment. The lyrics traverse from the personal to the political, weaving together desires for individual well-being and collective liberation. St. Victor longs for a world where children are shielded from "malevolence" and grow up knowing their "relevance", a stark contrast to the "human cages" built by exploitative labor practices. She critiques the prioritization of profit over people and planet, calling out "science skeptics" and "Pharma-Suits" for their roles in perpetuating harm. This isn't just environmentalism; it's a holistic vision of healing, suggesting that the "Mother Earth's own medicine" holds the key to our collective well-being, if only we could dismantle the structures that prevent access. Ultimately, "I Prefer (OYA)" operates as a call to consciousness, urging listeners to actively envision and embody a more just and compassionate world. The song's power lies in its simplicity and unwavering conviction. It suggests that even the smallest act of preference, when aligned with values of love, justice, and sustainability, can contribute to a seismic shift in consciousness. St. Victor's song isn't a utopian dream, but a pragmatic invitation to participate in the ongoing work of creating a better world, one preference at a time.