Fazendo o Que o Diabo Gosta

Song Meaning

Raul Seixas's "Fazendo o Que o Diabo Gosta" isn't just a song; it's a brazen middle finger to conventional morality, dipped in Brazilian swagger. The track explodes the sanctimony of traditional love, marriage, and religion. Immediately, we're thrust into a narrative far removed from white lace and hymnals: a motel wedding, distant from any altar, under a "mercury moon." This isn't about finding God's grace; it’s about reveling in earthly desires, in the heat of "fire and honey." The woman is no ingenue; she carries a past, children, experience – a stark contrast to the Madonna/Whore dichotomy so often forced upon women. The chorus, the song's beating heart, boldly proclaims that "we please God by doing what the Devil likes." This isn't mere rebellion; it's a psychological assertion. It suggests that genuine expression, even if deemed sinful, holds a deeper truth than hollow adherence to societal norms. The lyrics hint at a love born from raw lust ("casamos por tesão") and laced with fear, yet cemented by shared vulnerability ("I give you my fears, my errors, my secrets"). This isn't a sanitized romance; it's a messy, imperfect union. The song's genius lies in its understanding of human contradiction. The line "Love is hate, it's right for us both" perfectly encapsulates the turbulent, passionate dynamic. It acknowledges that love isn't always pretty or peaceful; it can be a battlefield where wounds are inflicted and then tenderly licked. "Fazendo o Que o Diabo Gosta" isn't just a catchy tune; it's a powerful statement about embracing the complexities of human desire and finding a twisted kind of grace in the places where polite society refuses to look.