Song Meaning
The lyrics paint a visceral, unflinching picture of historical and ongoing violence, centered on the act of burning. The opening lines establish a cycle of destruction: "They burned sisters they burned / And the fire is still burning." This repetition immediately grounds the listener in a sense of enduring trauma, where past atrocities cast a long shadow. The imagery of smoke "still rising" suggests that the consequences of these acts are not confined to the past but continue to permeate the present.
The song then pivots from passive observation to active defiance and a terrifying embrace of destructive power. The shift to "We burn sisters we burn / We will set the world on fire" transforms the narrative from victimhood to a radical, almost apocalyptic, assertion of agency. This is fueled by a potent "yearning," a desire for change so intense it risks consuming everything. The explicit mention of "the holocaust / Holocaust in Bremen" anchors this destruction in a specific historical context, linking it to nationalist fervor and religious justifications like "In the name of the Fatherland" and "In nomine patri."
The most striking element is the deliberate conflation of historical persecution with primal, almost mythological, forces. The lyrics move from the "holocaust" to the burning of "witches" and the condemnation of women as "heretic" and those who "Repudiate the Christus." This connects the systematic violence of war and genocide to older, more elemental forms of oppression. The invocation of "Hecate a hex hex" and the repeated "Hex, Hex Hex" introduces a powerful, almost pagan, element of curse and retribution, suggesting a force that transcends human institutions and taps into something ancient and vengeful.
Ultimately, the effectiveness of these lyrics lies in their raw, unvarnished portrayal of rage and the cyclical nature of violence. The stark, declarative sentences and the relentless repetition of "burn" and "fire" create a sense of overwhelming force. By linking historical atrocities to accusations of witchcraft and invoking a primal hex, the song suggests that the impulse to destroy, particularly those deemed 'other' or defiant, is a deeply ingrained, almost supernatural, phenomenon that demands a powerful, perhaps equally destructive, response.