Mulher Clitóris Morango

Song Meaning

The lyrics open with a stark, repetitive lament about the sadness of passing time and lost lives. The phrases "Como são tristes os tempos que correm," "os dias que passam," and "as horas que voam" create a suffocating atmosphere of melancholy. This initial section establishes a tone of pervasive gloom, painting a picture of existence devoid of joy or meaning, where even "paz e sossego" feel empty and "cinzentos de tédio." This deep-seated sadness is directly confronted by a call to action: "Vamos lutar contra a tristeza." The recurring, almost chant-like interjection "Mulher clitóris morango" acts as a strange, potent counterpoint to the despair. It injects an element of raw, perhaps even defiant, sensuality and vitality into the struggle against negativity, poverty, and routine. This juxtaposition suggests that the fight against life's hardships involves reclaiming primal desires and pleasures. The lyrics then pivot from fighting against negative forces to fighting *for* positive ones: "pela alegria," "pela aventura," "pelo sustento," and "pelo futuro." The enigmatic phrase "Mulher clitóris morango" reappears, now linked to these aspirations. It seems to represent a potent, perhaps even revolutionary, ideal – a fusion of intense personal pleasure, vibrant life, and the very essence of what is worth striving for. The final lines, "Vamos lutar pela palavra," "pelo desejo," and "pela quimera," along with the collective "todos sem medo," solidify this shift towards active pursuit of a richer, more meaningful existence, fueled by this potent, multifaceted ideal. The effectiveness of these lyrics lies in their stark contrast and the unexpected anchor provided by "Mulher clitóris morango." The extreme melancholy of the verses is met with a phrase that is both jarringly intimate and boldly declarative. This unexpected pairing transforms a song of lament into an anthem for reclaiming life, suggesting that the fight for a better future is intrinsically tied to embracing intense, perhaps even taboo, forms of personal joy and desire.