Song Meaning
The lyrics paint a vivid picture of emotional distress, starting with a surreal, disorienting awakening. The room is "swimming in blue and green," a disquieting visual that suggests a state of deep melancholy or even illness. This feeling is compounded by the sensation of "never slept" and feeling "so very old," a profound weariness that transcends simple tiredness. The narrator reassures the listener, "Well, don't you feel alone," establishing a connection amidst this shared, if differently experienced, blue mood.
The core tension lies in the narrator's overwhelming personal sadness, expressed as "I'm kind of blue." This isn't just a passing mood; it's a pervasive state where "Whatever I touch turns blue." The repetition of "blue for you again" suggests a cyclical sadness tied to a specific person, perhaps a lover or close friend. Yet, there's a defiant edge: "At least I'm not innocent," implying a self-awareness of flaws or past actions that contribute to this emotional state, contrasting with a perceived innocence in the "dear" addressed in the opening.
The imagery of the ocean is particularly striking, transforming a potential escape into a source of dread. The narrator dreams of the "ocean was in my house" and feels the "surf against my skin," a powerful metaphor for being overwhelmed by emotions. The inability to "keep the waves from dragging me down" highlights a struggle against an encroaching, suffocating sadness. This contrasts sharply with the listener's potential experience of "calm down to the beach and watch the waves come in," suggesting a healthier, more detached relationship with similar feelings.
What makes these lyrics resonate is the raw, almost desperate plea for connection and the fear of contagion. The narrator admits, "When you say ooh / Baby, you're my best friend / Then I lose / I lose my common sense." This vulnerability, the loss of control in the face of affection, is deeply human. The final lines, "I may be blue / But don't you let me make you blue too," encapsulate the tragedy: the narrator's profound sadness is so potent they fear it will infect the very person who offers solace, a heartbreaking paradox of wanting closeness while fearing its destructive potential.