Song Meaning

The narrator opens with a plea for guidance, asking to be shown how to experience profound moments, like the "dying of the waves," and to rediscover the forgotten ability to "fly." This sets a tone of disorientation and a yearning for lost connection or understanding. The observation that "shadows always change / Depends on who gives the light" suggests a struggle with perspective and a feeling that reality itself is fluid and dependent on external influence, hinting at a deep-seated uncertainty. This uncertainty manifests in a nocturnal restlessness, with the narrator "still awake" at "four nineteen," finding solace only in confiding in a pillow and staring blankly at the wall. The imagery of "emptying bottles" and waiting for a "goblin to see me again" paints a picture of isolation and a desperate, almost superstitious, hope for inspiration or a return to a former state. The repetition of "This is starting to be normal" underscores a resignation to this state of prolonged wakefulness and emotional void. The chorus, however, reveals the core of this unease: "It will be, it will be that I miss you." The specific details – "the road, the people, the full moon," "the stages," and "sleeping with you any way" – ground this longing in the shared experiences of a life on tour. The repeated "Será, será" (It will be, it will be) functions as a hesitant, almost disbelieving acknowledgment of the profound absence felt, a tentative diagnosis of the narrator's own condition. The lyrics further articulate a sense of creative or spiritual drought, with "no signs of the other sphere / Of the fairies that dust ideas." The narrator laments the absence of the magical spark that "sews songs / With pieces of paper / And pieces of reality." This suggests that the longing for the absent person is not just personal but also tied to a loss of creative vitality, a feeling that the inspiration derived from that connection has vanished, leaving only the mundane fragments of existence.