FAULTS

Song Meaning

The lyrics paint a picture of someone emerging from a period of deep regret and self-doubt, possibly after a breakup or a period of stagnation. The opening lines, "It is twelve, I'm still in my bed / Another day, still in regret," immediately establish a tone of lethargy and remorse, hinting at a past relationship or situation that led to this state. The narrator acknowledges that the past is "over and I'm glad," suggesting a difficult but ultimately positive transition where they learned "not to pretend / All my feelings in the end." The central tension arises from the narrator's internal struggle with self-perception and the lingering influence of another person, likely an ex-partner. The repeated phrase "All of us make faults" appears in the chorus, but it's juxtaposed with the narrator's newfound happiness, attributed to a new person, "she's killing my doubt." This suggests that the "faults" were perhaps perceived or amplified by the past relationship, and a new connection is helping to heal those wounds and restore self-worth. The bridge is a masterclass in lyrical contradiction, showcasing the narrator's internal conflict. The repeated apologies ("I'm sorry, I'm sorry, I'm sorry") are immediately negated by "I'm not," followed by other self-deprecating labels like "gnarly," "boring," and "calling," all of which are also denied. This structure powerfully illustrates a mind wrestling with past criticisms or insecurities, ultimately rejecting them in favor of a more confident self-image, especially as they "make it better for fam and wife." This lyrical construction is effective because it mirrors the messy, non-linear process of healing and self-discovery. The repetition in the bridge, while seemingly simple, highlights the internal back-and-forth, while the chorus offers a sense of resolution and forward momentum. The shift from "regret" in Verse 1 to "No more day, no more regret" in Verse 2, coupled with the ambition to "make a career" and "make it better," signifies a profound internal shift, driven by external validation and a renewed sense of purpose.