Song Meaning
This sonnet opens with a raw, visceral plea, directly addressing those who participated in Christ's crucifixion. The narrator invites them to inflict further pain – to spit, pierce, buffet, scoff, scourge, and crucify him. This isn't a masochistic desire for suffering, but a desperate attempt to grasp the magnitude of his own sin. He acknowledges that even these extreme torments cannot atone for his transgressions.
The central tension lies in the narrator's overwhelming sense of personal sinfulness, which he feels surpasses even the impiety of those who killed Christ. He states, "My sinnes, which passe the Jewes / impiety." While the Jews killed Christ once, the narrator believes he crucifies him daily through his continued sinning, even now that Christ is "glorified." This highlights a profound internal conflict between divine grace and persistent human failing.
The most striking craft element is the radical inversion of perspective and the intense, almost violent, imagery used to express spiritual anguish. The narrator doesn't just confess sin; he actively invites the instruments of Christ's torture to inflict it upon him, framing his own sin as a daily reenactment of the crucifixion. The comparison of his sin to the Jews' impiety, and his own daily crucifixion of Christ, is a powerful, self-flagellating metaphor.
This lyrical intensity is what makes the sonnet so potent. By demanding the harshest possible torments and equating his own ongoing sin with a daily crucifixion, the narrator forces a confrontation with the overwhelming nature of divine sacrifice and human culpability. The final lines, contrasting earthly kings' pardons with Christ's bearing of punishment, and God's donning of human flesh to suffer, underscore the immense, almost incomprehensible, nature of this sacrifice, love and atonement.