Song Meaning

The lyrics paint a vivid picture of a life deeply entrenched in street hustle and illicit activities. The narrator asserts a position of dominance and resourcefulness, stating, "I got packs in flats" and "I'm in trap where the old ting's large." This establishes a tone of unapologetic engagement with a dangerous environment where "we don't play fair" and "kits they kat." The repeated emphasis on "packs" and "trap" grounds the narrative in the mechanics of the drug trade, suggesting a constant state of operation and transaction. The overall mood is one of gritty realism, tinged with a sense of pride in survival and success within these harsh conditions. The central tension arises from the narrator's dual existence: the demanding, often violent, reality of the streets versus the allure and attention it garners. The phrase "no face no case no trace when I did my business" highlights a calculated approach to avoiding consequences, a necessary skill for survival. Yet, this lifestyle also brings a certain notoriety, as evidenced by "When gyal hear the sound of my ringtone / Then she knows that man gotta go." This suggests a life where actions have immediate, tangible, and often sought-after results, creating a cycle of risk and reward that defines the narrator's world. A striking element of the lyricism is the consistent use of slang and coded language, which creates an immersive, almost exclusive, atmosphere. Terms like "yutes," "tit for tat," "gyal," and "amm" are woven throughout, reinforcing the specific cultural context. The narrator's boast about his "dick game cray" and how women are "grabbin' on me" further underscores the transactional nature of relationships, where physical prowess and the spoils of his trade are currency. This linguistic density serves to authenticate the narrator's experience, making the listener privy to a world operating under its own distinct rules and vernacular. Ultimately, the effectiveness of these lyrics lies in their raw, unfiltered portrayal of a specific lifestyle and the mindset it cultivates. The narrator's confidence, even in the face of potential danger, is palpable. The repeated assertion that "man's not lackin'" and the aggressive stance against rivals ("tek man's opps, tek man's watch") communicate a deep-seated need to project strength and control. It's this unflinching self-assurance, built on a foundation of constant hustle and a willingness to engage in "mish and mash," that makes the narrative so compelling and resonant within its chosen context.

Zone 2 - Rap, UK Rap

On Me

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Duration: 3:22

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[Intro] Yeah all of dat, all of dat, all of dat True say I got packs in flats I'm from where, we don't play fair I'm from the place where the kits they kat Some yutes get tit for tat I'm in trap where the old ting's large [Bridge] She tellin' me different No face no case no trace when I did my business Been out tryna dip, dip splash like bro's my witness And I phoned another manna this week like bro's my witness I'm like I'm on fitness [Chorus] True sav I got packs in flats True say I got packs for the cats I'm from where, we don't play fair I'm from the place where the kits they kat Some yutes get tit for tat I'm in trap where the old ting's large [Verse] When gyal hear the sound of my ringtone Then she knows that man gotta go And gyal all cats for the lingo Now she soundin' like me and bro I got a stack from the trees we sold I got amm so I'm weeded bro [?] gyal but she freed it though Now she cattin' like Felix, bro See I trap mash She I'm out on the streets doin' me like stuffin' the man bag Driver move it up his nose cah the ride's gettin' mad, dad I had to roll down the window 'Cause I fell for the cab man Mum thinks I'm a madman but I brucked down packs Man move wash, I had to cut down man Man move mad, so fuck them man In love with the dough, had to up my stack 3 double amm, that fucks like crack Fuck with the two, get fucked right back Fuck with my bro, get fucked right back Man get fucked right back Like, I've been up way before brekky 4,5 toes, ten toes, man ready Man out the cheese and the [?] You can only move amm, you're not ready Fucked the young ting with a semi Gyal turn catty already Take a man's gyal in my air ones He can have Luigi and Giuseppe Two man, four legs True say one of them's broken One swammy one Gordon Still tryna leave man open Man's kway up in North Pecks But the block's ain't open Amnes we're smokin', true say that shit is potent Gyally on me, rammy on me Dick game cray, got her grabbin' on me Gyally on me with the scrammy on me No face no case cah the bally on me Party vibe, got the scrammy on me And they got bags with the scrammy on he T phone rings cah the ammy on fleek Ten toes down with my rammy on me Like man's not lackin' Tek man's opps, tek man's watch and true say a man get at him Me and bro be 10 toes down, out 'ere tryna mish and mash it Heard he got bells and dots for the opps, but a rambo down if he lackin' We jump like dip-dip-splash it Ask that bitch what did he do, face screwed up she cattin' Dick game cray no lame man she can't hold it in, she chattin' Gyal so mad cah I mish and mash out 'ere no chattin' Man's been trap so our life ain't less than a z it's trappin' I could do it on my own, no phone up Unknown, good day, slap it, burn it Outside of the bruck boy life had to get off my arse, start plannin' Buy ting, every ting, true say everyting, everything there lavish True say boom, bow like everyting bangin' [Bridge] Bangin', bangin' Boom bow, bangin' Everyting bangin' Everyting bangin' [Chorus] True sav I got packs in flats True say I got packs for the cats I'm from where, we don't play fair I'm from the place where the kits they kat Some yutes get tit for tat I'm in trap where the old ting's large

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Writers: Kwengface

On Me

On Me

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