Song Meaning
The lyrics paint a picture of intense, almost desperate, intimacy, centered around the repeated plea to "start again." The opening lines, "Take a breath and breathe me in / Hold me close hold me close," establish an immediate physical closeness, yet the question "Where have you been?" hints at a prior separation or a moment of distance that needs to be overcome. This sets up a core tension: the desire to recapture a lost connection versus the acknowledgment that something has fractured.
The dominant emotional current is one of urgent longing for renewal. The chorus, a relentless iteration of "Oh let's just start again," functions as an incantation, a way to rewind time or erase recent troubles. This repetition underscores the narrator's deep need to reset the dynamic, to bypass whatever has caused the distance or pain and return to a state of unblemished connection. The phrase "breathe me in" suggests a desire for complete absorption, a merging that erases individual space and past grievances.
The most striking lyrical detail is the juxtaposition of physical closeness with emotional instability, captured in "Feel me there against your skin / Look at us look at us I'm spiralling." This contrast highlights the fragility of the moment; despite the physical embrace, the narrator's internal state is chaotic. The repeated physical sensations ("Feel me there") are meant to anchor them, to prove the present reality, but the admission of spiraling reveals an underlying anxiety that the plea to "start again" might not be enough to fix what's broken.
Ultimately, the effectiveness of these lyrics lies in their raw, unvarnished expression of a desire for a clean slate in a relationship. The insistent repetition of the chorus, combined with the vulnerable admission of "spiralling," creates a palpable sense of yearning. It's the sound of someone clinging to the hope that proximity and a shared desire for a fresh start can mend whatever has gone wrong, even if the internal turmoil suggests the past is hard to outrun.
