Song Meaning
The lyrics paint a picture of a relationship forged in defiance, where the narrator, despite feeling emotionally devastated by deceit, finds a perverse solidarity with their partner. The opening lines, "I may be dead, honey / But I was left with my eyes / And underneath, sugar / Well, I've been sunk by your lies," establish a profound sense of betrayal and emotional coldness. Yet, this despair quickly pivots to a shared identity: "We're two of a kind, lately / Me and you." This shared state, born from mutual hurt or a similar outlook, becomes the foundation for their defiant declaration: "It's our time... To break on through."
The central tension lies in the embrace of being 'hated.' The lyrics repeatedly assert, "It's our time to be hated," transforming a potentially negative label into a badge of honor. This isn't about seeking approval; it's about finding strength in mutual ostracization. The phrase "So glad that we made it" suggests a struggle overcome, a survival against odds that have branded them outsiders. The image of "all the kids in the street / Whisper sounds that sweet" hints at a subculture or a younger generation that finds something appealing or aspirational in this defiant stance, even if it's just the allure of rebellion.
The most striking aspect of the craft is the relentless repetition of "It's our time." This refrain, amplified in the chorus, builds an anthem of defiant unity. It transforms a simple statement of present opportunity into a powerful declaration of shared destiny, specifically tied to their outcast status. The juxtaposition of the intimate, almost tender "honey" and "sugar" with the harsh reality of being "hated" creates a complex emotional landscape, suggesting that even within this bleakness, there's a deep, albeit unconventional, connection.
Ultimately, these lyrics resonate because they capture the potent feeling of finding belonging in shared marginalization. The writing takes the sting out of being disliked by reframing it as a collective triumph, a moment of arrival for those who don't fit in. The driving rhythm and insistent repetition make the embrace of being "hated" feel less like resignation and more like a powerful, almost joyful, act of self-definition.
View Artist