Album cover art for "Tokyo Drift" by Woodie Smalls & K1D

Woodie Smalls & K1D - Rap, Soundtrack

Tokyo Drift by Woodie Smalls & K1D Lyrics

2 Plays

Duration: 3:08

Lyrics

[Verse 1: Woodie Smalls] This one last a minute, raise the bar up You've been feeling really lonely, you're a star, ah Smoking medicine, in the car, ah Fucking white bitches, like you're Starbucks I'm on another planet, rolling loud up Swisher Sweets on a leaf Bet it takes your ass to sleep On a level you can't reach This that shit you can't teach Give the pussy what she needs Take it easy on the bleed I've been rolling on the deep end Shawty leaking, worth a thousand What's that? Really solid Zooted, like I'm Marley, yeah [Chorus: Woodie Smalls & K1D] Rolling Japanese 'til I float 'Til I float, ayy Rolling, I've been living like the GOAT Big GOAT, ayy Rolling hella trees on a boat Man, I smoke See I've been rolling, rolling, rolling, rolling (Rolling, yeah) Rolling Japanese 'til I float 'Til I float, ayy Rolling, I've been living like the GOAT Big GOAT, ayy Rolling hella trees on a boat Man, I smoke See I've been rolling, rolling, rolling, rolling (Rolling, yeah) [Verse 2: K1D] I'm in your city, holla back You know, I had to give it some more racks You know I had to put it on the map Send me the address and I GPS Then I pull up (Skrrt), I be the plug, I got reefer, got Mary for days Hit it so good she wan' marry the K1D But I'm with niggas that's stuck in my way, damn Ooh, get out my face I don't want it all, I just want a taste We've been going up, I think we in space (Think we in space) But I do need my space, wow I've been tipsy, I've been going up She been with it, she just tryna fuck On a rap nigga from the nine And she lean with it, I'ma lean with it Fuck, a lot of money on my mind Got a shawty on the other line She beep twice, I decline While I skeet twice I'll be fine, yeah I go with that backstroke I'ma leave you on that note And I ain't got a trap phone I'ma need a backup phone, like woah (Young K1D!) [Chorus: Woodie Smalls & K1D] Rolling Japanese 'til I float 'Til I float, ayy Rolling, I've been living like the GOAT Big GOAT, ayy Rolling hella trees on a boat Man, I smoke See I've been rolling, rolling, rolling, rolling (Rolling, yeah) Rolling Japanese 'til I float 'Til I float, ayy Rolling, I've been living like the GOAT Big GOAT, ayy Rolling hella trees on a boat Man, I smoke See I've been rolling, rolling, rolling, rolling (Rolling, yeah)

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Meaning of "Tokyo Drift" by Woodie Smalls

The lyrics paint a picture of a detached, almost otherworldly experience, driven by a haze of substances and a focus on fleeting encounters. The narrator, Woodie Smalls, positions himself as being "on another planet," a state amplified by "smoking medicine" and "rolling loud up." This detachment is contrasted with a sense of loneliness he attributes to someone else, a "star" who is "feeling really lonely." The overall tone is one of hedonistic escapism, where the immediate gratification of "rolling Japanese 'til I float" and living "like the GOAT" takes precedence over deeper connection. The central tension seems to lie in the pursuit of elevated states, whether through substances or a self-proclaimed elite status, while simultaneously acknowledging a superficiality in relationships. K1D’s verse introduces a transactional element, where encounters are brief and focused on immediate desires – "She been with it, she just tryna fuck." The repeated line, "I don't want it all, I just want a taste," underscores this transient approach to connection, prioritizing a fleeting experience over commitment. A key craft element is the pervasive theme of "rolling," which appears in various contexts: "rolling loud up," "rolling on the deep end," and the repeated chorus, "Rolling Japanese 'til I float." This repetition emphasizes a continuous state of motion and altered perception, blurring the lines between physical movement, drug use, and a mental state of being "zooted, like I'm Marley." The imagery of being on a "boat" while smoking "hella trees" further solidifies this sense of being adrift and detached from reality. What makes these lyrics hit hard is their unflinching portrayal of a specific kind of modern detachment. The casual references to substances and fleeting sexual encounters, combined with the aspirational language of being "the GOAT," create a complex portrait of ambition intertwined with escapism. The lyrics suggest that for these artists, the ultimate high is a combination of elevated status and a constant state of altered consciousness, a "level you can't reach" that is "shit you can't teach."

This AI-assisted editorial analysis was reviewed, improved, and approved by the LyricsWeb editorial team.

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Credits

Writers
  • Jazz Maeson
  • K1D
  • Woodie Smalls