Song Meaning

The lyrics paint a picture of intense, almost desperate intimacy, driven by a need to feel something real. The narrator acknowledges the potential wrongness of their actions, admitting "Kissing to feel" and "Baby, kissing to kill," suggesting a self-destructive or ethically gray pursuit. This is underscored by the repeated phrase "You should do what you want," which feels less like genuine permission and more like a plea or a justification for their own desires, even as they also state "I should do what you want." The central tension lies in this push and pull between self-will and submission, wanting to control the situation while also yielding to the other person's desires. The narrator wants to know "the future beyond you," indicating a desire for deeper connection or perhaps an escape from the present moment's uncertainty. This yearning is expressed through physical actions like grabbing a belt and the repeated, almost frantic calling of the other person's name, creating a sense of urgency and longing. The craft of the lyrics shines in its use of contrasting actions and sensory details. Phrases like "結ぶように ほどくように" (like tying, like untying) and "触れるように 叫ぶように" (like touching, like shouting) capture the volatile, dynamic nature of their interactions. The repetition of "Kissing you, Kissing me" and the shift to "Loving to feel" at the end suggest a progression or a deepening of this need for sensation, moving from the act of kissing to the broader concept of love as a means of feeling alive. Ultimately, these lyrics resonate because they articulate a raw, almost primal need for connection and validation through physical intimacy. The narrator's willingness to be seen as "ズルい" (cunning/unfair) highlights the depth of their emotional hunger. The constant back-and-forth between "You should do what you want" and "I should do what you want," coupled with the desperate "Calling only your name," captures the complex, often messy reality of seeking solace and meaning in another person's presence.