Song Meaning
The lyrics present a stark, almost cynical choice between two types of relationships: an older lover and a younger one. The repeated directive, "You'd better take an older lover," is immediately undercut by the warning, "You'll soon get tired of her." This sets up a central tension: the perceived benefits of experience versus the inevitable weariness that follows, suggesting a disillusionment with both options. The older lover offers a history of "teenage sex" and "old divorces," a life already lived and perhaps a bit jaded, contrasted with the implication that this experience might ultimately be tiresome.
The narrative then pivots, introducing a contradictory piece of advice: "You'd better take a younger lover." This younger partner is described as a "younger monster," a phrase that injects a note of danger or unpredictability, yet the lyrics immediately follow with "But deserve better." This implies that even the potentially exciting "younger monster" might not be the ideal choice, or perhaps that the narrator is questioning what "better" even looks like in this context. The lyrics seem to be wrestling with the idea that neither age group offers a perfect solution, and perhaps the real issue lies in the narrator's own expectations or the nature of love itself.
A particularly striking element is the recurring, emphatic declaration, "Doctor Annabel lies!" This figure, seemingly an authority on relationships or perhaps life advice, is directly contradicted, suggesting that conventional wisdom or expert opinions are flawed. The imagery associated with this lie – "French fries spread on her face" – is bizarre and unsettling, hinting at a messy, perhaps superficial, or even decaying facade behind the pronouncements of Doctor Annabel. This artistic choice amplifies the sense of confusion and distrust surrounding the advice given, making the narrator's dilemma feel more personal and less guided by reliable sources.
Ultimately, the effectiveness of these lyrics stems from their blunt, almost brutal honesty about the complexities and dissatisfactions that can arise in relationships, regardless of age. The juxtaposition of the mundane ("office desks," "French fries") with the deeply personal ("teenage sex," "Mother's" love) creates a disorienting yet compelling portrait of romantic disillusionment. The repeated, conflicting directives force the listener to confront the difficult, often unresolvable nature of choosing a partner and the potential for disappointment inherent in any choice.