Song Meaning
The lyrics paint a picture of a narrator fixated on Philomena, who seems to be a figure of both allure and perhaps a source of ennui. The opening lines, "Oh, Philomena, you in a tawdry gown / Lean to your window, let slip a ribbon down," establish a scene of longing and a somewhat desperate plea for connection or escape. The repeated phrase "Down, down, down" suggests a desire for descent, either literally or metaphorically, into something more exciting or perhaps illicit, contingent on Philomena's willingness to "let me go."
The central tension arises from the narrator's restless dissatisfaction. Initially, the stated desire is simple: "All I ever wanted in the world / Was just to live to see a naked girl." However, this base curiosity is quickly outgrown, leading to a profound sense of boredom and a craving for "more." This escalating need for stimulation drives the narrator's increasingly elaborate offers to Philomena, shifting from a simple request to a willingness to become a "candle," a "statuette," and even a "lashing loop of leatherette."
The most striking aspect of the craft here is the juxtaposition of the mundane with the suggestive. The "tawdry gown" and the simple act of letting down a "ribbon" contrast with the narrator's escalating, almost fetishistic, offers of service and submission. The repetition of "Down, down, down" acts as a mantra, emphasizing the depth of the narrator's desire for an escape from boredom, a descent into something more intense, whatever that may be. The shift from a simple wish to a complex, almost subservient, set of proposed roles highlights the narrator's desperate attempt to find a cure for their own "lazy vices."
Ultimately, the effectiveness of these lyrics lies in their portrayal of a specific kind of yearning – one that is both superficial in its initial stated desire and deeply unsettling in its escalating intensity. The narrator's inability to be satisfied, even by the fulfillment of basic curiosity, creates a palpable sense of unease. The repeated plea to Philomena, tied to the ambiguous "down, down, down," leaves the listener contemplating the true nature of this desired escape and the potentially destructive depths it represents.