Feed Me (Git It)

Song Meaning

Audrey II's seductive, manipulative song "Feed Me (Git It)" paints a chilling picture of desire and corruption. The lyrics open with a relentless, almost hypnotic demand, "Feed me, Seymour, feed me all night long," establishing a primal hunger. This isn't just about sustenance; it's a promise of power and fulfillment, offering Seymour a taste of the good life – "a Cadillac car," "a date with Hedy Lamarr," or to "be a big wheel." The plant positions itself as a benevolent force, a "genie," a "friend," and a "willing slave," all designed to lower Seymour's guard and encourage him to indulge its needs. The central tension lies in the stark contrast between Audrey II's glittering promises and the sinister undertones of its requests. Seymour's hesitant "reservations" about performing "mutilations" are quickly drowned out by visions of luxury and status, like a "room at the Ritz" and driving "around like I was James Dean." The lyrics suggest that the allure of material wealth and social standing can easily overshadow moral qualms. Audrey II expertly exploits this, framing its desires as Seymour's own aspirations, blurring the lines between what the plant wants and what Seymour believes he needs. The most striking element is the chilling justification for violence that emerges later in the song. Audrey II shifts from offering rewards to rationalizing murder, stating, "a lot of folks deserve to die." This sentiment is then directly linked to Seymour's abusive situation, with both Seymour and Audrey II agreeing that the abusive dentist "sure looks like plant food." The lyrics cleverly reframe the act of feeding the plant not just as a personal gain for Seymour, but as a twisted form of justice, a "rationale" for violence that satisfies both the plant's hunger and Seymour's desire for retribution and escape. This song's effectiveness stems from its masterful blend of seductive temptation and escalating moral decay. The initial promises of wealth and status are incredibly alluring, making Seymour's eventual descent into violence feel almost inevitable. The lyrics don't just present a monster; they show how a monster can manipulate and co-opt the desires of its victim, turning a plea for food into a justification for murder. The final lines, "I need blood and he's got more than enough," seal the pact, highlighting how the plant's hunger becomes inextricably linked with Seymour's perceived need for a solution to his problems, however gruesome.