Song Meaning
The lyrics open with a stark farewell, "Bye-bye, goodbye-san," repeated twice, immediately setting a tone of finality and perhaps a touch of ironic politeness. This is quickly juxtaposed with imagery of a train ride, observing the narrator's own departure, and a UFO taking off, suggesting a departure from the ordinary or a move into the unknown. The narrator reflects on a mix of "a little lie and truth" that has made a dreamed-of world feel real, hinting at a constructed reality or a shift in perception.
The core tension arises from the desire to live versus the struggle to find meaning and authenticity. The narrator wants to "keep living" and writes down "words that fly out anywhere," trying to "believe in myself" even when unsure of where "there" is. This is contrasted with a "you" who doesn't believe, leading the narrator to walk forward "suspiciously." The act of "eating hatred" to survive suggests a difficult, perhaps self-destructive, coping mechanism.
A striking element is the transformation of perception, where "blue turns red with surprise," making the narrator "want to live a little." This shift occurs while witnessing "broken towns," which are labeled "Contemonia," a neologism that seems to encapsulate a feeling of urban decay or collective melancholy. The narrator uses "frustration and sadness as weapons," questioning where these emotions are directed, and acknowledges that "no one comes here" to these desolate places.
Ultimately, the lyrics articulate a profound, almost desperate, yearning for self-acceptance and continued existence amidst confusion. The narrator declares, "I just want to be human," a "noble thing," and can "paint over" their true self. The repeated plea "Half-believe, half-doubt, or give me" encapsulates the precarious state of not fully trusting oneself or the world, yet still moving forward "one by one, crookedly" into an uncertain future.
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