Sectio Aurea

Song Meaning

The lyrics paint a picture of artistic creation as a complex, almost alchemical process, blending disparate elements into something unique and potent. The opening lines, "Cerco ispirazione soddisfazione semibiscrome" (I seek inspiration, satisfaction, semitones), immediately establish a quest for artistic fulfillment, juxtaposed with the "mole di un totem" (mass of a totem), suggesting a weighty, monumental ambition. The narrator, Shezan Il Ragio, describes himself as "Street skater elegante come un loden" (Street skater elegant like a loden coat), a striking image that fuses urban subculture with classic style, hinting at a sophisticated yet grounded artistic persona. This blend continues with references to "mondo di Tolkien" (Tolkien's world) and "guerra col W.o.r.r.p" (war with W.o.r.r.p.), creating a surreal, expansive landscape where fantasy and digital realms collide. The core tension seems to lie in navigating the creation and reception of this art. There's a sense of operating outside conventional systems, as seen in "Dalla pigra magra scia di chi non caga l'armonia di chi rinnega l'empatia" (From the lazy, thin wake of those who don't give a damn about harmony, who deny empathy). The artists position themselves as purveyors of something profound, "nettari barricati invecchiati dal '9-8" (barricaded nectars aged since '98), offering "cibi prelibati" (delicacies) that are not for the uninitiated. They distinguish themselves from those who "paga il prezzo e chi invece lo definisce" (pay the price and who instead defines it), suggesting a resistance to commodification or external definition. The music itself is described as "spessa finchè è fine a se stessa" (thick as long as it is an end in itself), implying its value is intrinsic, not derived from market pressures. A key craft element is the use of contrasting imagery and abstract concepts to define their artistic space. The "Sectio Aurea" itself, the Golden Ratio, suggests a pursuit of perfect proportion and inherent beauty within their complex creations. This is paired with "Surplus di mousse!" (Surplus of mousse!), a seemingly frivolous, almost absurd phrase that injects a playful, unexpected texture, preventing the artistic pronouncements from becoming too self-serious. The lyrics propose that their work, though seemingly scattered like "codici sparsi" (scattered codes), will endure, becoming "reperti esposti nelle teche del Louvre" (artifacts displayed in the display cases of the Louvre), a testament to its lasting artistic merit. The final lines, "E vola in alto finchè resta sottoterra!" (And it flies high as long as it stays underground!), encapsulate this paradox of hidden depth and soaring ambition. This lyrical approach is effective because it grounds abstract artistic philosophy in vivid, sometimes bizarre, imagery. The constant interplay between the cosmic and the mundane, the ancient and the digital, creates a unique sonic and conceptual universe. The narrator's self-assured, almost defiant tone, coupled with the intricate wordplay, invites the listener to engage with the art on its own terms. It’s this commitment to a distinct, self-defined artistic vision, expressed through a rich tapestry of references and metaphors, that makes the lyrics resonate as a statement of creative integrity and enduring value.