
Lyrics
遠い昔に憧れたお伽話は 僕らだけの退屈な、退屈なゲームだった 壊れ掛けたプラスチックの夕陽を眺めて 君はとても綺麗だね、綺麗だねって泣いていた 菖蒲が咲く 愛のない回路に 繰り返す幾億回のアイロニー I don't wanna be, I still wanna be with you Cause this artificial pain wasn't given a name I don't wanna be, I still wanna be with you In this everlasting game, will I find you again? 僕らは唯与えられた台詞並べて 嘘だらけの世界を、世界を憎んでいた Whenever I sang that 16-bit song You were always, you were always Under that rainbow I don't wanna be, I still wanna be with you Cause this artificial pain wasn't given a name I don't wanna be, I still wanna be with you In this everlasting game, will I find you again? 遠い昔に棄てられたお伽噺と 此の世界で君だけ、君だけ本当だった
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Meaning of "L∧NNDØ" by sasalasa
The lyrics paint a picture of a relationship steeped in artificiality and a longing for genuine connection. The opening lines immediately establish a sense of disillusionment, where once-cherished fairy tales are now revealed as a "boring, boring game." The image of a "broken plastic sunset" and a companion crying "you're so beautiful" suggests a manufactured beauty and a profound sadness within this artificial world. The narrator seems to be grappling with the hollowness of their shared reality. This hollowness is further emphasized by the contrast between the "circuit without love" where irises bloom and the "billions of repetitions of irony." The core tension arises from the repeated plea, "I don't wanna be, I still wanna be with you," juxtaposed with the "artificial pain" that lacks a name. This suggests a deep internal conflict: the desire to escape the fabricated nature of their existence while simultaneously being unable to let go of the person within it. The "everlasting game" implies a cyclical, perhaps inescapable, struggle. The lyrics employ striking imagery and repetition to convey this emotional landscape. The "16-bit song" and the recurring phrase "Under that rainbow" evoke a sense of nostalgic, perhaps digital, memory, contrasting with the present pain. The narrator states, "We just recited the lines we were given, hating a world full of lies." This highlights a feeling of being programmed or scripted, unable to express true emotions within their fabricated environment. The final lines offer a glimmer of hope or perhaps a final, poignant realization: "The fairy tale abandoned long ago, and in this world, only you, only you were real." Ultimately, the effectiveness of these lyrics lies in their ability to articulate a specific kind of modern alienation. The blend of Japanese and English, the digital-age references, and the raw emotional plea create a sense of profound loneliness within a seemingly connected, yet ultimately artificial, world. The narrator’s desperate clinging to the one perceived real element – the person they are with – makes the artificiality of everything else feel even more crushing.
This AI-assisted editorial analysis was reviewed, improved, and approved by the LyricsWeb editorial team.
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Credits
- Writers
- sasakure.UK
- Lasah