Song Meaning

The track opens with a stark contrast between the glamorous facade of performance – "Sahneler, ışıklar" (Stages, lights) – and the grimy reality of the industry's underbelly: "Kulisler, taşıtlar" (Backstages, vehicles) and "Davetkâr bakışlar" (Inviting glances). This juxtaposition immediately sets a tone of disillusionment, hinting that the allure of the spotlight hides something more transactional and perhaps corrupt. The repeated "Güya" (supposedly, allegedly) throughout the first verse acts as a constant qualifier, undermining the authenticity of the boasts and actions described. It suggests a world where appearances are deceiving and true intentions are hidden behind a facade of bravado and material wealth. The core tension emerges from the conflict between genuine artistic struggle and the perceived phoniness of others. The lyrics describe people who are "Ölmeye hazırlar" (Ready to die) and "kavgacı tavırlar" (combative attitudes), contrasting them with those who are solely focused on profit: "Biz güçle savaşırken siz hepiniz paranın peşindeydiniz lan" (While we were fighting with power, you were all after money). This highlights a sense of betrayal and a critique of a system that rewards superficiality over substance. The relentless repetition of "Al, sat" (Buy, sell) underscores a cynical view of the industry as a marketplace where everything, including integrity, is up for grabs. One of the most striking craft elements is the strategic use of the word "Güya." It's not just a filler; it's a weaponized term that casts doubt on every claim made by the opposing figures. This linguistic device creates an atmosphere of suspicion and forces the listener to question the reality behind the bravado. Furthermore, the shift in the final verse, from the gritty "Doğu Harlem" (East Harlem) to the affluent "Nişantaşı" (a wealthy district in Istanbul), illustrates how the artists have navigated and perhaps even conquered the superficial world they critique, while still retaining their core identity. "Biz hâlâ Doğu Harlem'i yaşıyoruz ama artık Nişantaşı'nda" (We are still living East Harlem, but now in Nişantaşı) powerfully encapsulates this journey. Ultimately, the effectiveness of these lyrics lies in their unflinching portrayal of a compromised artistic landscape. The song doesn't just complain; it dissects the mechanics of the industry, exposing the transactional nature of fame and the moral compromises involved. By contrasting the external glamour with internal decay and using sharp, accusatory language, the artists create a potent narrative that resonates with anyone who has felt disillusioned by the pursuit of success. The repeated refrain of "Davetkâr bakışlar" serves as a constant reminder of the superficial allure that draws people in, only to reveal a more complex and often cynical reality beneath.

Şanışer & Sokrat St - Rap, Türkçe

Güya 2

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["G�ya 2" ft. Sokrat St i�in _ark1 s�zleri] [Nakarat: ^an1_er] Sahneler, 1_1klar Kulisler, ta_1tlar Davetk�r bak1_lar (Davetk�r bak1_lar) Sahneler, 1_1klar Kulisler, ta_1tlar Davetk�r bak1_lar (Davetk�r bak1_lar, bak1_lar) [Verse 1: ^an1_er, Sokrat St] Kapal1 kap1lar (G�ya) Can al1r, al1rlar (G�ya) Haval1 sat1rlar, kavgac1 tav1rlar �lmeye haz1rlar (G�ya) Gelirler evine (G�ya) Deliller bulunmaz (G�ya) Sorsan �ok eriller Gerilla merilla, bi' silah bi' villa ^ekiller (G�ya) Siktirsin gitsin ki kimdir ki? (Lan) �irkinlik i�inde birikmi_ (Lan) Kibirli veletler diyormu_ "Primci." bize, biz sizi biliriz (Lan) Biz g��le sava_1rken siz hepiniz paran1n pe_indeydiniz lan Biz g��le sava_1rken siz hepiniz paran1n pe_indeydiniz lan Al1_t1k yalana, yalana, yalana, yalana, yalana, yalana, yalana Yalana bak, para kazan, para kazan Fuck, al, sat, al, sat Al, sat, al, sat Al, sat, al, sat Al, sat, al, sat Al (Al), sat (Sat) Yapal1m konu para yapmaksa [Verse 2: Sokrat St, ^an1_er] Haval1 arabalar (Pe_inde ko_mam) V5rirlerse olur ama (Pe_ind5 ko_mam) Manhattan'da bir penthouse (Pe_inde ko_mam) B1rak _imdi l�tfen (Pe_inde ko_mam) Kim "Pe_inde ko_mam." demi_se bo_ laft1r Olmasa bor�lar, dei_sen orada G�zel bir s�per model, sevi_sen onla Hepsini isterim ama hi�birinin pe_inde ko_mam [Nakarat: ^an1_er] Sahneler, 1_1klar Kulisler, ta_1tlar Davetk�r bak1_lar (Davetk�r bak1_lar) Sahneler, 1_1klar Kulisler, ta_1tlar Davetk�r bak1_lar (Davetk�r bak1_lar, bak1_lar) [Verse 3: ^an1_er, Sokrat St] G�k d�k�l�rken kapan1r �enesi g�ne_in, emin ol Cephede biz dili pek bi' saftay1z bak Biz kelimelerle sava_1r1z, onlar1n mermi var silahlar1nda Bo_ ver, sana bana "Yok," desinler, anlatt11m1za inanmas1nlar 0nan bana bir gece sel gibi yaar1z tek bi' damlam1zdan [K�pr�: ^an1_er] Tek bi' damlam1zdan Tek bi' damlam1zdan Tek bi' damlam1zdan Tek bi' damlam1zdan [Verse 4: ^an1_er, Sokrat St] Art1k laf at1p bize ba_lar1na i_ almas1nlar Art1k bize k1l erkekler ve kibar kad1nlar "Dei_tiler." dediniz ama yalan Biz h�l� Dou Harlem'i ya_1yoruz ama art1k Ni_anta_1'nda [Verse 1: ^an1_er, Sokrat St] Kapal1 kap1lar (G�ya) Can al1r, al1rlar (G�ya) Haval1 sat1rlar, kavgac1 tav1rlar �lmeye haz1rlar (G�ya) Gelirler evine (G�ya) Deliller bulunmaz (G�ya) Sorsan �ok eriller Gerilla merilla, bi' silah bi' villa ^ekiller (G�ya) Siktirsin gitsin ki kimdir ki? (Lan) �irkinlik i�inde birikmi_ (Lan) Kibirli veletler diyormu_ "Primci." bize, biz sizi biliriz (Lan) Biz g��le sava_1rken siz hepiniz paran1n pe_indeydiniz lan Biz g��le sava_1rken siz hepiniz paran1n pe_indeydiniz lan Al1_t1k yalana, yalana, yalana, yalana, yalana, yalana, yalana Yalana bak, para kazan, para kazan Fuck, al, sat, al, sat Al, sat, al, sat Al, sat, al, sat Al, sat, al, sat Al (Al), sat (Sat) Yapal1m konu para yapmaksa [Nakarat: ^an1_er] Sahneler, 1_1klar Kulisler, ta_1tlar Davetk�r bak1_lar (Davetk�r bak1_lar) Sahneler, 1_1klar Kulisler, ta_1tlar Davetk�r bak1_lar (Davetk�r bak1_lar, bak1_lar) [�1k1_: ^an1_er] (Davetk�r bak1_lar, bak1_lar Davetk�r bak1_lar)

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Writers: Şanışer

Güya 2

Güya 2

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Credits