Come Due Somari

Song Meaning

The lyrics paint a picture of a relationship teetering on the edge, characterized by a shared descent into darkness and a lack of direction. The opening lines, "Giù fra i crepacci bui col diavolo che ci ospita," immediately establish a tone of mutual entanglement in something dangerous or illicit, with the potential for shared reward or consequence. This descent is framed as a struggle, "Occorre spingere ai limiti la carrucola," but the narrator admits to a fundamental lack of planning, "Noi due come due somari siamo senza strategia / E abbiamo perso l'indirizzo / Per andar via." The central tension arises from the narrator's self-perception as a destructive force versus the perceived peacefulness of their partner. They confess, "Sarò la causa di ogni preoccupazione / Una specie di provocatore di risse da bar," but immediately counter this with the hope that their partner's nature makes such conflict impossible: "Se non fosse che tu sei pacifica / Avrei un bernoccolo e un taglio da suturare." This creates a dynamic where the narrator anticipates their own negative impact, yet relies on the other person's calm to avert disaster, highlighting a precarious balance. A striking element of the craft is the narrator's self-deprecating and unreliable persona, particularly in the pre-choruses. They admit to having a dialectal inflection, which they use as an excuse to be taken lightly: "Non prendermi sul serio, sono un impostore" and later, "Ti posso ipnotizzare, sono un traditore." This suggests a conscious effort to deflect responsibility and perhaps manipulate the perception of their actions, further complicating their role in the relationship's struggles. Ultimately, the lyrics resonate through their raw depiction of self-sabotage and the desperate hope for a stable anchor. The narrator's admission of fault, especially in the outro, "E la colpa è soltanto mia," coupled with the earlier imagery of being lost and lacking strategy, creates a poignant portrait of someone aware of their destructive tendencies but seemingly unable to escape them, finding solace only in the quiet presence of another. The repeated idea of wasted time and seasons, "Di stagioni inutili / E di anni andati via," underscores the emotional cost of this internal conflict.