Song Meaning

The lyrics paint a stark picture of a life deeply entrenched in the drug trade, questioning the possibility of redemption or a "heaven" for those involved. The narrator details a history of facilitating and participating in illegal activities, from providing capital to moving product. There's a recurring theme of loyalty and support within his circle, offering help to those who "can't rhyme one lyric" but "can make that fucka move," highlighting a pragmatic, results-oriented mindset that values action over artistry. This sets up a central tension between the allure of the street life and a nascent, perhaps uncertain, path toward something else, hinted at by the mention of rap. The core conflict seems to be the narrator's internal struggle with his identity and future. He's "one foot out and one foot in," caught between the familiar "dirt" of his past and the potential of a different life, possibly through music. This duality is evident in lines like "I don't know what the fuck I wanna choose," and the contradictory statements "They say I act like I ain't got nothin' to lose" and "They say I act like I got sum' to prove." The lyrics suggest a deep-seated ambivalence, a constant negotiation between the ingrained habits of the street and a desire for something more, even if that desire is unclear. A striking element of the craft is the juxtaposition of raw, street-level narratives with moments of aspirational imagery and self-reflection. The narrator boasts about "seven hundred grams, in two hours, ran through it" and "two-hundred thousand cash on me," but then pivots to the internal turmoil of his choices. The repeated emphasis on "dawg" – referring to drugs – and the associated "mood" it induces, grounds the narrative in the tangible reality of his trade. This direct, unflinching language, combined with the introspective questions, creates a compelling portrait of a complex individual grappling with his circumstances and identity. What makes these lyrics resonate is their unvarnished honesty and the palpable sense of internal conflict. The narrator doesn't shy away from the harsh realities of his life, but he also reveals a vulnerability in his indecision about his future. The raw descriptions of street activity are balanced by moments of self-doubt and questioning, making the character feel authentic and relatable, even in his extreme circumstances. It’s this blend of bravado and introspection that captures the listener, offering a glimpse into a world often unseen and a mind wrestling with profound choices.

Rx Papi - Rap, New York Rap

Pass Me The Ashtray

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[Intro] Yeah, yeah Dawg Shit Records Real Rx Yeah [Verse] Is there a heaven for a dopeboy? Shit, I could never tell ya' Gave 'em a slab and a half, he can't say I never helped 'em They was there, I brought cash out the bag, so I blessed 'em Dropped the deuce in the pot, I gave cuz all the extras Most my niggas don't rap, so I can't get 'em on a beat I gave Crodie ten pounds just to get 'em on his feet Lil' brodie want that dawg, he a mothafuckin' fool He can't rhyme one lyric, but he can make that fucka move Late night, early mornin' I'm in that mothafuckin' booth They gon' tell you bullshit but I'mma give you the raw truth Ain't no nigga that's gon' tell me I can't do it, then I don't do it We had seven hundred grams, in two hours, ran through it I'd rather bet it on myself before I bet on FanDuel Came in with two big FNs, we could have a damn duel Soon as he see it in my hand, watch how fast yo' man move Its nun' but switchies in the van, we done packed a man too If you gon' do it, nigga, do it, go 'head, bust yo' damn move Stood on that block for plenty hours, I know how them grams move I get to talkin 'bout that dawg, it put me in my damn mood I used to play the corner, late nights and early mornings I had my pistol on me, I tucked it in my thermals I got the block jumpin', I'm not a spot runner I served stragglers, but I got phone licks Phone do 6K a day, could start my own strip I was only nineteen, runnin' 'round with thirty thou' I grew up grimey, they say I'm a dirty child Ain't nun' much changed Did you grimey then, do you grimey now Walked in like Boosie on Wipe Me Down Walked in the jeweler like, "Ice me down" I look like a scammer, swipe me down All designer fits, I'm cashin' out Fresh out of prison blackin' out Back out the Glick, get back, get out I roll a wood to calm my nerves I used to think rap would never work Ain't easy, I'm still doin' dirt Got one foot out and one foot in I don't know what the fuck I wanna choose They say I act like I ain't got nothin' to lose They say I act like I got sum' to prove Sometimes I don't, sometimes I do I got the mind of a maniac I feel like Boosie in '08 They tried to charge me two-hundred grams They through it out that's a cold case In my hood my name hold weight My niggas love me like I'm Marlo We sold dope like BMS Two-thousand grams around my neck I never had a rap check If they say I did, then that's cap Like there he go, nigga that's Pap You play and get yo' ass whacked I walked in with all my chains, nigga, that's how I'm walkin' out I'm a real dopeboy, that's all I wanna talk about Two-hundred thousand cash on me, I might turn your offer down I'm in a million-dollar meetin' smellin' like a quarter pound These niggas not really in the streets, that's why they shit sound watered down Auntie really fuck with me, she know my shit not watered down Flood on my neck, bitch, you'll think they brought the water out My money long, I'll have some killers come from cross the border 'bout it I'm really plugged in, really brung drugs in Really caught trucked loads, really served Gusto Did a hit, swapped poles, hit the crib changed clothes Then crack right out on the block, act like I ain't did nun' wrong

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Writers: Rx Papi

Pass Me The Ashtray

Pass Me The Ashtray

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