Song Meaning
The lyrics paint a picture of a fleeting connection, tinged with both sensuality and a sense of impending loss. The opening lines immediately establish a tone of resignation: "When the morning comes you won't be mine." This isn't a plea or a fight, but a quiet acknowledgment of impermanence, underscored by the repeated, almost mantra-like phrase, "I know that angels come from time to time." This phrase suggests moments of beauty or grace that are inherently temporary, like visitors who don't stay.
The central tension lies in the contrast between physical closeness and emotional distance or uncertainty. The narrator observes "sensuality" but also a "storm in your eyes" when bodies are near, hinting at an underlying turmoil or a lack of true connection despite the physical intimacy. The questions posed in the second verse – "Can you see better things, coming your way?" and "Can you feel all heavy air, lifting off your days?" – seem to be directed at the other person, a gentle urging to recognize a potential for something more, or perhaps a plea for them to see the narrator's own perspective.
The most striking aspect is the way the lyrics use the concept of "angels" not as divine beings, but as metaphors for transient moments of profound beauty or peace. The repetition of "from time to time" amplifies this feeling of fleetingness, making the phrase itself a rhythmic embodiment of the song's theme. The narrator seems to be observing these moments, both in the relationship and in life generally, from a place of detached contemplation, "Laid up above the road, I'll never know / Where the finest hours seem to go."
Ultimately, the effectiveness of these lyrics stems from their understated melancholy and the delicate imagery used to describe impermanence. The narrator isn't overtly heartbroken but rather resigned to the natural ebb and flow of intense experiences, finding a strange comfort in the idea that even the most beautiful moments are meant to be temporary visitors. The gentle, almost ethereal quality of the language creates a mood that is both wistful and accepting of life's transient joys.