Song Meaning
The lyrics paint a picture of a journey, both literal and metaphorical, through natural landscapes and internal struggles. The opening lines, "Take me to the hills / Take me through the shadows," establish a desire for escape or a movement towards something unknown, characterized by a sense of both beauty and hidden danger. This initial plea sets a tone of seeking, perhaps for solace or resolution, as the narrator moves "Down the valleys below."
The core of the song seems to lie in a profound sense of disappointment and unfulfilled potential. The narrator recounts giving love to a "lake" that turns out to be "shallow" and ploughing a "field" that remains "fallow" speaks to efforts that have yielded nothing. These images suggest a deep-seated frustration with outcomes that don't match the investment of care or labor, hinting at broken promises or dashed hopes in significant relationships or endeavors.
The imagery shifts to a more complex, almost surreal tableau of spiritual and familial elements. We see a stark contrast between "Angel on a throne" and "Devil on a wagon," suggesting a pervasive presence of both good and evil, or perhaps a chaotic, unpredictable order. The "family underground" juxtaposed with "valleys below" creates a poignant image of the past or deceased loved ones existing beneath the surface of the present, a constant, silent presence that shapes the landscape and the narrator's perspective.
Ultimately, the song circles back to the themes of the lake and the field, but with a new, albeit hesitant, resolve. The narrator is "Heading for that lake / Heading towards the shallows," acknowledging the limitations but still moving forward. The final instruction, "So sew seeds in that field…," is a powerful act of defiance against the previous barrenness, an attempt to cultivate hope and future growth even in the face of known shallowness and past failures, all while the "valleys below" remain a constant, perhaps melancholic, backdrop.