Song Meaning
The lyrics paint a picture of a generational shift, contrasting the perceived superficiality of one group with the proclaimed progressive values of another. Initially, the narrator describes someone living a life of apparent privilege and trendiness, buying expensive sneakers and seemingly unconcerned with cost. This image is then sharply contrasted with a new persona, one that is "rational in terms of consumption" and identified as a "brilliant zoomer," not an "outdated millennial." This sets up a core tension between past and present, or perhaps between different value systems.
The core of the song's message seems to be a declaration of radical progressivism, aggressively rejecting outdated social norms. Phrases like "fuck bullying and harassment" and "zero tolerance" for those who "hate faggots" highlight a confrontational stance. The narrator proclaims themselves and their group as the most progressive in the nation, embracing identities as "rap artists, feminists, eco-activists." This section is packed with a rapid-fire list of modern social and political identifiers, aiming to establish a clear ideological boundary.
The most striking craft element is the use of provocative and often ironic juxtapositions. The intro's "Okay, boomer" immediately signals a generational clash. The claim of being the most progressive in the country is then followed by a seemingly absurd statement: "Glory to our president, Alexander Dolgopolov," a well-known drag performer, which serves as a pointed, perhaps satirical, assertion of their progressive ideals. The chorus, "Our trendsetter is a transgender, he will stop / This endless disaster, we come to you with love," further solidifies this embrace of non-traditional figures as leaders and saviors.
This lyrical approach is effective because it uses shock value and rapid-fire declarations to create a sense of urgent, almost overwhelming, progressive identity. The contrast between the initial image of consumerism and the later embrace of activism, coupled with the provocative naming of a drag performer as president, forces the listener to confront the song's specific, and perhaps intentionally jarring, vision of the future. The final "Savages, hey" in the outro adds a final layer of ambiguity, possibly directed at those who don't understand or accept this new wave.
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