Song Meaning
The lyrics present a stark rejection of procreation and artistic creation under specific, oppressive conditions. The opening questions, "Will ein Mann ein Kind, sag was soll werden? Eine Frau ein Kind, was soll sein?" immediately set a tone of doubt and questioning the purpose of bringing a child into existence. This isn't about the desire for a child, but the *outcome* of that desire when it leads to a child being "beugen" – bent or broken. The narrator's emphatic "Nein - niemals nein" acts as a powerful refusal to participate in a cycle that seems destined for suffering.
The central tension lies in the contrast between the act of creation and the perceived inevitability of corruption. The lyrics question the motivation behind creating a child or a song: is it to shape them into something they are not, to "beugen" them? This is met with a visceral "Schrein will ich, schrein" – a desire to scream in protest. The alternative presented is profound: "Dann lieber nicht geboren / Als so zu sein - am halben Herz erfroren," suggesting that a life of compromise and emotional freezing is worse than non-existence.
The parallel drawn between creating a child and creating a song is particularly striking. A man wants a song that sings *of him*, and a woman wants a song from "Spiegelglas" – mirror glass. Both suggest a self-serving or superficial artistic impulse. The lyrics then offer a counter-vision: a child that is never bent, and a song that doesn't lie. This ideal future requires active effort: "Soll'n sie sorgen, dafür das Morgen / Für's Lügen und Verbiegen / Keiner mehr 'n Orden kriegt." It's a call to actively dismantle the systems that reward deception and conformity, ensuring that such actions no longer receive accolades.