Tenemos que entrar (Directo)

Song Meaning

The lyrics paint a stark picture of rock music being shut out, with "ventanas tapiadas" and "bocas cerradas," suggesting a suppression of expression. A somber "calma embarga" settles over "la gente de bien," contrasting sharply with the defiant energy brewing within a "camión." This vehicle carries instruments that are personified as silenced or wounded – "un bajo sin voz," "una guitarra herida" – ready to break through the imposed quiet. The core tension lies in the forceful reclamation of space for music. The repeated command "Tenemos que entrar" and the visceral action "Patada, la puerta" underscore a desperate need to reawaken a culture that has been silenced. This isn't just about a venue; it's about asserting the right for music to exist and be heard, pushing back against forces that seem to oppose it, described as "Uniformes de colores / Juntos contra una cultura / Lejana del señor cura." The most striking element is the direct confrontation with authority, specifically a "Señor edil" (councilman or mayor). The narrator's assertion, "Nos podemos colar / Y hasta en tu propia casa," transforms the struggle from a localized protest to an omnipresent threat. This isn't just a band trying to get into a club; it's a cultural force making it clear it can infiltrate any space, challenging those who try to control or erase it. This defiance is what makes the lyrics hit so hard. The raw, almost primal urge to break down barriers and let the music flow again resonates through the forceful imagery and the urgent, repeated calls to action. It captures the feeling of being pushed to the brink, where the only response is to kick down the door and make your presence undeniably known, ensuring "La música de nuevo vuelve a sonar."