Song Meaning
The lyrics paint a picture of a return to a familiar, perhaps ancestral, place, tinged with a sense of finality and lingering presence. The narrator describes treading "ruddy soil" and flying over fields, evoking a sense of distance traveled and a homecoming. This return is framed by imagery of nature – "daffodils" and "Narcissi perfume" – juxtaposed with the somber "broken tombs," suggesting a landscape where life and death coexist.
The central tension seems to revolve around a plea or a command directed at "Mary." The repeated instruction to "Run on the cobblestone / Up to the bottleneck" feels urgent, but the subsequent declaration, "No, nevermore to roam," implies a cessation of movement, a settling into a permanent state. The phrase "Sweet flesh is on the bone" adds a visceral, almost primal, note to this finality, hinting at a grounded, physical existence after a period of wandering.
The recurring image of the "runaway gargoyle" is particularly striking. It suggests a figure that is both watchful and detached, perhaps a protector or an observer who has been set free from a long vigil. This contrasts with the more grounded, earthly imagery that follows, creating a sense of transition from a spectral existence to a tangible one. The narrator's eventual statement, "I hear you, Mary / High upon the hill / I hear your hammer / Striking on the bell," solidifies this sense of connection and awareness, as if the narrator can now perceive Mary's actions and presence in this place.
Ultimately, the lyrics resonate through their blend of melancholic homecoming and definitive stillness. The careful juxtaposition of natural beauty with the imagery of tombs, and the urgent yet final commands to Mary, create a potent atmosphere. The effectiveness lies in the way these elements build a narrative of arrival and belonging, where the narrator, no longer roaming, finds a profound connection to Mary and the landscape, marked by the sound of a hammer on a bell.