Song Meaning

The lyrics paint a picture of a chaotic, drunken night out in Lviv, narrated by a boastful, rowdy character. The opening lines establish a scene of immediate disarray: "O dwunastej godzinie / Idę se przez Lwów / Upiłem się na winie / Awantura znów." This sets a tone of reckless abandon, where the narrator is already inebriated and anticipating trouble, embracing his identity as a "hultaj" – a scoundrel or rogue. The narrative quickly escalates from a verbal spat with a stranger to a physical altercation, highlighting the narrator's aggressive and impulsive nature. The repeated refrain, "Aż się denko załamało / Bom ja hultaj, jakich mało," serves as a self-congratulatory anthem for his unruly behavior, emphasizing his pride in being a notorious troublemaker. The narrator's encounters become increasingly violent and absurd. He brazenly attempts to grope a woman, leading to her calling for his arrest. Instead of fleeing, he retaliates against the authorities, first punching a police officer and then a commissioner. The lyrics describe these assaults with a detached, almost gleeful tone: "Ja z kokiry odwijam, policaja w nos / Biegnie za mną komisarz i podnosi krzyk / Ja kułaka odbijam, komisarza w pysk." This escalation underscores the narrator's complete disregard for law and order, framing his violence as a natural extension of his "hultaj" persona. The repetition of "Aż mu w oczach pociemniało / Bęc go jeszcze, bo to mało" further solidifies his lack of remorse and his enjoyment of inflicting pain. The climax of the night takes a surreal turn as the narrator escapes by jumping over a fence and sleeping under rose bushes. He then appears at a ball, seemingly transformed, presenting himself as a "grzeczny chłopczyna" (polite young man) with a bouquet of roses. This abrupt shift from violent brawler to charming suitor is jarring and highlights the narrator's performative nature. The final lines, "O buziaka proszę śmiało, bo ja hultaj jakich mało," reveal the underlying truth: his polite facade is a thin veneer, and he is still the same proud scoundrel seeking affection, albeit with a bouquet. The effectiveness lies in this stark contrast and the narrator's unashamed embrace of his dual nature, presenting his roguish charm as a form of endearment.