Comme tous les hommes de la terre - �crite � 16 ans

Song Meaning

This track opens with a stark declaration: "Comme tous les hommes de la terre / J'ai deux cerveaux qui s'font la guerre." The narrator immediately establishes a sense of internal conflict, portraying a constant battle between two opposing forces within himself. This isn't just a fleeting mood; it's presented as a fundamental aspect of his being, leading to "niaiseries" – foolishness or silliness – because one side always seems to win, leaving the other "soumis." The repeated idea of this internal war sets a tone of frustration and self-awareness from the outset. The core tension lies in the struggle for clarity and decision-making. The narrator admits, "Mes idées ont jamais d'l'air claires," making it difficult to "décider" when his "deux têtes sont obstinées." This internal deadlock is compounded by conflicting principles, where "mes principes s'opposent." The lyrics suggest that this isn't a simple case of indecision, but a deeper clash of values that paralyzes action and understanding. A particularly striking observation comes in the second verse: "Y'a du monde qui disent que deux têtes valent mieux qu'une / Mais moi j'vous dis qu'deux têtes c'est pas mieux qu'en avoir aucune." This directly challenges a common adage, highlighting the narrator's profound sense of being overwhelmed by his internal duality. He feels less capable with this inner division than if he were entirely unburdened by thought or conflicting ideas. The lyrics also reveal a tendency to make excuses, especially when his "cerveaux / Sont immoraux," blaming external factors like the world being "trop beau." Ultimately, the effectiveness of these lyrics stems from their raw, almost blunt honesty about internal struggle. The narrator doesn't shy away from admitting his flaws and the difficulty of self-governance, even acknowledging the need to "se r'dresse le dos / Avant qu'j'me fasse trouer la peau." The final lines, introducing a "femme / Qui est nymphomane," hint at external temptations or complications that further exacerbate his internal "misères," suggesting that the battle for control is ongoing and far from over.