Co budem dělat?

Song Meaning

The lyrics open with a direct, almost childlike question: "Začínáme a co budem dělat?" (We're starting, and what will we do?). This immediately sets a tone of bewildered potential, a vast expanse of freedom that feels overwhelming rather than liberating. The initial response is a playful, almost absurd exploration of physical possibilities – inventing new ways to move, to walk sideways, to dance. It’s a burst of creative energy, a desire to define oneself through novel actions, suggesting a youthful impulse to break from convention. The core tension emerges in the repeated refrain: "Co budem dělat? Co budem dělat? Jak naše svoboda vypadat by měla?" (What will we do? What will we do? What should our freedom look like?). This isn't just about having options; it's about the paralyzing lack of direction that comes with them. The narrator acknowledges having "mládí, zdraví a naše těla" (youth, health, and our bodies) – the fundamental building blocks – but lacks the internal compass to navigate this freedom. The external world offers only noise, "vytí vlčí" (wolf's howling), while divine and infernal forces remain silent, leaving the individual adrift. A striking shift occurs as the lyrics move from seeking external guidance to a resigned, almost cynical embrace of fate. The narrator questions the point of overthinking, suggesting that the future is predetermined, like a film waiting to play out. The line "Necháme to vše koni, nebo spíš koze" (We'll leave it all to the horse, or rather the goat) implies a passive surrender, letting chance or instinct take the reins. This leads to the unsettling image of watching "průvod starých známých tváří" (a procession of old familiar faces) on screen, implying that the future is just a rehash of the past, and the individual's role is merely to be a shining part of that predictable narrative. Ultimately, the effectiveness of these lyrics lies in their unflinching portrayal of existential ennui disguised as boundless possibility. The contrast between the initial exuberant ideas for physical expression and the later passive resignation highlights a profound disconnect. The writing captures that specific, often youthful, anxiety of having all the tools but no blueprint, leading to a feeling of being both free and utterly trapped, waiting for a script that may never arrive or may simply be a rerun.