Song Meaning
This song paints a picture of someone determined to protect a loved one, even at the cost of being seen as the villain. The narrator declares, "Even if the price is making someone else's expression cloud over, it's fine. It's fine if only I am the bad guy." This sets up a powerful emotional core: a willingness to bear the burden of others' disapproval for the sake of a singular, precious connection. The imagery of a "smile like a sky where a rainbow appears after the rain" suggests the immense value placed on the beloved's happiness, a light that justifies any darkness the narrator might embrace.
The central tension arises from the conflict between a desire for universal empathy and the necessity of a fiercely protective, almost selfish, love. The narrator admits, "Actually, I always want to be considerate of everyone," but immediately recognizes the impracticality of this ideal: "But I have to abandon such leisurely idealistic theories here." This internal struggle highlights the difficult choice between broader social harmony and the intense, focused devotion required to safeguard a specific person. The lyrics suggest this is not an easy path, marked by fear and self-doubt.
The craft of the lyrics shines in its recurring motif of "Yesterday" contrasted with a determined push towards the future. The narrator laments a "half-believing, always minding appearances Yesterday," a past characterized by fear and hesitation, symbolized by "this hand trembling in my pocket." This past self is directly confronted and rejected with the phrase "Bye-bye Yesterday," signifying a conscious break from indecision. The repeated command to "move forward, move forward" towards "our own universe" emphasizes a radical commitment to the present and future, leaving behind the anxieties that once held them back.
What makes these lyrics resonate is the raw, unvarnished portrayal of commitment. The narrator's willingness to be the sole antagonist, to ignore pleas for help ("even SOS heard on the way, pretending not to notice"), and to embrace a love that the "world points at from behind" is a potent depiction of singular devotion. The final image of holding hands, "never letting go," and moving towards "the other side of the rainbow" offers a powerful, albeit potentially isolating, vision of love as an all-consuming force that redefines the narrator's purpose and strength.
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