Ora lo so (Titolo di coda)

Song Meaning

The lyrics paint a picture of a past filled with intense, fleeting experiences, now understood with a certain clarity. The opening lines immediately establish a sense of revelation, where a guitar and a "choir of sirens" narrate a story that includes the speaker. This past is characterized by "bastard liberties," "faded nights," and "loves lived in the open air," suggesting a period of passionate, perhaps reckless, abandon. The recurring phrase "this is what I know, now I know it" anchors this understanding in the present, while the image of a "great dream without heroes" hints at a grand narrative that lacked clear protagonists or perhaps a guiding moral compass. The central tension arises from the contrast between the vividness of these past experiences and the speaker's current, more sober perspective. The "wave of colors" and "tide of words" from the second stanza evoke a sense of overwhelming sensory input and uninhibited expression. Yet, this is juxtaposed with "red wounds" and a "dazed dawn," implying that this freedom came at a cost, leaving a bitter taste. The desire "smiled," but the wind, which also "sang about me," seems to carry a more complex, perhaps even indifferent, force. The bridge introduces a powerful surge of imagery, enumerating "ten, a hundred, a thousand loves lit" and "suspended moments." This abundance of passionate encounters is then sharply contrasted with the predatory "flights of vultures." This juxtaposition is striking, suggesting that amidst the pleasure and intense connection, there was also a sense of danger or exploitation. The "chaste panthers" add another layer of intriguing imagery, perhaps representing a wildness that is also contained or observed. Ultimately, the lyrics suggest a hard-won understanding of a life lived intensely, with both its exhilarating highs and its painful lows. The final stanza brings a shift, with a "song" now telling the story, and the "choir of sirens" screaming, drowning out the speaker's "song of rage and blindness." This implies that the past is not just remembered but actively resists a simple interpretation, leaving the speaker with a sense of "innocent thefts" and "impatient loves." The dream remains "without heroes," a testament to a past that was grand and consuming, but ultimately shaped by forces beyond simple control or clear moral lines.