COMMISSARIATO (BONUS TRACK)

Song Meaning

This track plunges into a grim, violent narrative, painting a picture of a narrator deeply entrenched in a life of crime and disregard for authority. The opening lines about a phone and a "zi" (uncle) hint at clandestine activities, immediately setting a tone of secrecy and illicit dealings. The core of the song revolves around a weapon, a "choppa," described with a disturbing hatred for "guards and informants" and, more shockingly, "pregnant women." This sets up a brutal, nihilistic worldview where violence is a primary mode of expression and interaction. The central conflict appears to be the narrator's self-destructive path and the extreme violence he inflicts, juxtaposed with a twisted sense of self-justification or bravado. The repeated refrain about the "choppa" and the violent acts it commits – "a hole in the commissariat," "a hole in my mami's head" – creates a relentless cycle of destruction. This isn't just about external conflict with law enforcement; it's a deeply personal and horrific escalation, culminating in violence against a maternal figure, suggesting a profound breakdown of familial and societal bonds. The lyrics employ a shocking, almost absurd contrast between the narrator's perceived appeal to women and his misogynistic actions. He claims "girls love me because I say I hate them," a statement that immediately precedes graphic descriptions of sexual violence and drug use. The imagery of a woman's face "whitened" and her voice "stuffed" is chilling, linking sexual conquest with drug abuse and dehumanization. The narrator's disdain extends to women he deems unfashionable or associated with certain subcultures, further highlighting a deep-seated rage and contempt that fuels his violent impulses. What makes these lyrics hit so hard is their unflinching portrayal of extreme depravity and the casual way violence is discussed. The repetition in the chorus hammers home the brutality, while the verses offer glimpses into a warped psyche that finds validation in cruelty and destruction. The shock value is undeniable, particularly the targeting of a mother figure, which elevates the narrative from mere criminality to a profound tragedy of lost humanity. The narrator's claim that his job of escaping guards is "sadly not paid" adds a layer of bitter irony to his destructive existence.