Song Meaning
The lyrics introduce "The woman named To-morrow," a figure of the future personified with striking confidence. She's unhurried, meticulously styling her hair, holding "a hairpin in her teeth." This opening immediately establishes a sense of unbothered control and deliberate action.
The central tension emerges from Tomorrow's calm self-possession and her ultimate dismissal of the past. She methodically completes her task, then turns to declare, "Well, what of it?" This blunt question challenges any expectation that she should dwell on what came before. Her statement, "My grandmother, Yesterday, is gone," creates a clear generational and emotional divide.
The craft here is particularly effective in its personification. Abstract concepts like "Tomorrow" and "Yesterday" are given human form and placed in a relatable domestic scene. The image of her "hairpin in her teeth" and the way she "drawls" her challenge grounds the future in a tangible, almost defiant personality. This mundane act of self-care becomes a powerful metaphor for shaping one's own destiny.
These lyrics hit hard because they transform the abstract idea of time into a character with agency and a sharp attitude. The effectiveness lies in how Tomorrow's calm, self-assured grooming culminates in such a stark, almost ruthless rejection: "Let the dead be dead." It suggests a future that is not merely arriving, but actively asserting its independence from the past, crafted with deliberate intent and unapologetic self-interest.