Song Meaning

The lyrics paint a picture of a love that has shifted over time, moving from a gentle, gradual affection to something more profound. The opening lines, "Poco, poco a poco me has querido / Poco a poco me has amado," establish a sense of slow-building love, a tender unfolding. This initial sweetness is then contrasted with a present state of change, as the narrator observes, "Al final como has cambiado / Chascosita de mi amor." This shift suggests a dynamic, perhaps even surprising, evolution in the relationship, leaving the narrator to ponder the nature of this transformation within their love. The core tension seems to lie in this observed change within the beloved. The narrator implores, "Nunca digas que no viditay / Nunca digas jamas viditay," which could be interpreted as a plea against finality or a rejection of a negative turn in their partner's feelings. The phrases "Son cosas del amor viditay / Cosas del corazón" serve as a gentle, almost resigned, explanation for these emotional fluctuations, framing them as inherent to the unpredictable nature of love and the heart's desires. This suggests a narrator who accepts the complexities of romance, even when they bring about change. The final lines, "Canción y huayno para cantar / Canción y huayno para bailar," offer a resolution or a desired outcome. The mention of "canción" (song) and "huayno" (a traditional Andean folk music genre often associated with dancing and communal celebration) implies a wish for the relationship to return to a state of joy and shared expression. It’s a call for music and dance, for a harmonious rhythm that can be sung and danced to, suggesting that the current emotional shifts can be overcome through shared experience and a return to the fundamental, joyful elements of their connection.