On y va

Song Meaning

The lyrics open with a seemingly carefree declaration of heading to Paris in a Ferrari, but immediately pivot, stating "C'est ne pas la vie en rose, c'est une autre chose." This sets a tone of ironic detachment, suggesting the glamorous facade hides a more complex or grim reality. The initial French lines about seeking women and shaking hands, with the peculiar condition about not walking dogs, feel like a superficial, almost performative attempt at sophisticated interaction that quickly dissolves into absurdity. The core of the song appears to be a series of increasingly bleak and violent vignettes, presented as absurd scenarios. The first Italian stanza describes a deadly lottery among eleven men and one woman, where the survivors are trapped by a speaker and then violently dispatched. This descent into chaos and death, culminating in a funeral at 9 AM, highlights a pervasive sense of futility and a desperate plea for divine intervention or even just "denari" (money) for a "safari," before returning to the ironic desire for a Ferrari. The imagery of "Vichingo sul naviglio" (Viking on the canal) adds a touch of surreal, misplaced aggression. Further stanzas present equally disturbing, allegorical scenes: eleven nurses and a midwife in a delivery room where the test is positive for a third time, leading to a dread of returning to an anesthetist and a list of friends. The narrator's fear is met with a doctor's cynical remark about the state paying for liposuction because "blood is finished for vampires these days." This suggests a society depleted, where even predatory figures are struggling, and personal anxieties about reproduction and physical appearance are juxtaposed with societal decay. The final stanza depicts a brutal, almost carnival-like slaughter in a stable, with "showmen" in pajamas reassuring the populace that "TV loves you" and promising a return to dreaming through "silicone, butts, and burps." This paints a picture of a manipulative media landscape offering superficial distractions amidst utter barbarity and a dismissive farewell to the "ugly." What makes these lyrics so potent is their jarring juxtaposition of high-end aspirations (Ferrari, Paris) with visceral, often grotesque, imagery of violence, decay, and societal breakdown. The repeated return to the "Ferrari" acts as a recurring, hollow promise or a symbol of a desired escape that is constantly undermined by the surrounding chaos. The narrative voice navigates these extreme situations with a mix of dark humor, weary resignation, and a desperate, almost absurd, plea for relief, making the overall effect one of profound unease and a critique of superficiality masking deep societal rot.