Song Meaning

This interlude opens with a casual, almost conversational greeting, immediately setting a tone that feels both familiar and slightly defiant. The narrator, L'Morphine M-Psy, establishes their presence not as someone seeking mass appeal, but as an artist focused on a core audience: "ghi 10 yfahmoni kfani" (10 understanding me is enough). This focus on authenticity over popularity is underscored by the mention of their life being "3aycha f'Canada" (living in Canada), a clear geographical and perhaps aspirational distance from their current context, and a statement of their independent success. The core tension in these lyrics lies in the narrator's assertion of their unique artistic identity against perceived misinterpretations and the broader Moroccan hip-hop scene. They dismiss those who "3acho m3aya had la7da" (lived this moment with me) as mere storytellers, implying a superficial engagement. The repeated contrast between "mixtape" and "album" highlights a deliberate choice to operate outside conventional industry expectations, while simultaneously acknowledging the audience's anticipation for more substantial work. This creates a dynamic where the artist is both embracing their current output and subtly challenging the listener's definition of what constitutes a serious artistic statement. A particularly striking element is the narrator's self-positioning as an outsider and a purist within the rap game. They reject comparisons to other Moroccan rappers, stating, "O mat9aranich m3a rwappa dyal lmaghrib li 3lihom tanboul" (Don't compare me to Moroccan rappers I'm bored of). The imagery of planting seeds and growth – "Ghresst Cyprès 96 / Bdate nabta mas9iya b l'aspirine / Waldate citrone f 2006" (I planted Cypress in '96 / A seedling watered with aspirin / Gave birth to a lemon in 2006) – suggests a long, perhaps difficult, gestation period for their art, contrasting with the perceived shallowness of others. This metaphor implies a deep-rooted, organic development of their craft, distinct from the "logic generation" they criticize. Ultimately, the effectiveness of these lyrics stems from their raw, unfiltered declaration of self. The narrator isn't just rapping; they're staking a claim to their artistic territory, blending personal narrative with a critique of the scene. The rapid shifts in language, from Arabic to French to English, mirror the complex identity of a globalized artist, while the direct address and confident pronouncements create an undeniable sense of presence. It’s this unapologetic stance, grounded in specific, if sometimes oblique, references to their journey and artistic philosophy, that makes the interlude resonate as a powerful statement of intent.

L’Morphine - Rap, Arabic Rap - راب عربي

Interlude

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Duration: 1:22

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[Paroles de L'Morphine "Interlude"] [Intro] Yeah Awwal 7aja salamo 3laykom ba3da, ça va labas? howa hadak?, mssetfa l'3dam Awwal 7aja tanghanni matan9eta3ch tanderab darba wa7da, ktaba dyal disque tanktebha fel blassa O l'khassman li 3acho m3aya had la7da rah y3awdo likom had l9issa Yo, l'morphine M-psy ma3andi ta gharad issam3oni ghi 10 yfahmoni kfani Floussi f'jibi 3araf ach tandir 7yati machi hnaya 7yati 3aycha f'Canada Las Vegas Nevada man, United States of America machi za3ma massoniya O dakchi mais tama ya rabi yssahal 3la kol wa7ad ichof tama, ya salam Ma kinch ma kinch 9ti3 o hadi ghi mixtape machi album mixtape F'culture dyal hiphop mixtape katssanawni ndrab dwiskat dyal album f mixtape a sa7bi wla chno Chno rap b'nnisba lik a sa7bi N7as, Pin7as w style Anouchka kho n3al chitan ana jay yo [Couplet 1] Mray9i mray9i sir l'darkom Ana machi 7lay9i ji ncheta7 3lik o tjema3 3liya nasskom L'Morphine M-Psy Meknass Montréal Glasgow Kola yzayar 3la wadnih casquo F l album man daba tankaskso ghi b chala w tabasco Rak ghi omi 3afak skot Lkalakh dayr 3lik l'embargo tcritiqui 3raf ach tatgol O mat9aranich m3a rwappa dyal lmaghrib li 3lihom tanboul Chadite rap ghalate b7al tatssamiw teskhar lwalida baseball Sawal 3la L'Morphine fin tisskon Rap bdito yamat Alpha 55 Sowal la DST rah 3arfa fin konet sakan ghi kanet sakat Tkhayalni woste lghaysse bl boots 7assel Howa tilikom nwasslo wayli L'Morphine W cha3b mtaba3na m3a l 9ods nazi Chriw men 3andna l cwassat bach n7ab f nassi kho Rima ghadya A, O, I, bak 3robi la konti katssna A, A, A, kho [Pont] Yeah, this is from Montréal city to Meknes city Yeah baby This is rap isn't it ? So listen to the game L'morphine tssanat liya Lay back lean back, even if I talk I want to give it all Talk or walk Bad man's work Lazy man so all we can afford Come back here, Meknes city is the best city But I know that I'm trying isn't dirty money anybody It seems like we playing a bugs bunny Let's bring everybody [Couplet 2] Had lkhatra dakhal l'maydane bien équipé Instru tifanti 7absani pipi Matkhafch ghi titi B7al Titi Camara ghanbol f slipi Ghadi n7raj, makinch matériel khadam hippie Bal7a9 ghanrapi o titre ykhroj Ghresst Cyprès 96 Bdate nabta mas9iya b l'aspirine Waldate citrone f 2006 3la jahd l7moda 3la rap chadatkom lkabta Génération les logiciels L'Boulvard Tel Quel ga3 l9rouda Sba3 na3as lyoma 3andkom zarda Kan7as bchamta lmaghrib 9lila fih chama lmaghrib nokta Hada 3lach rap d3if Jomhor msamak 3ziz 3lih rap lmzakak M-Psy ma3takaf 7ta y7bas ntif Sowal dir l'enquête 9alab f l'archive Tal9ani f l'entête jayb les armes massives had lkhatra Mab9ach lkhatra bsif n7at fjihti lkora Nghatikom b l cuire kin lbard f lkouri Awal titre taktab f saboura b tabachir B9a lasa9 f idi 7ta ghadi ywali tabac jaune M-Psy unique M-Psy wa7ad khor Khalini man les coyottes li mnefssin chambre-aire Gless mchanbar rap philosophique kidir fik horr 7arak sa7tak haz hadra mvoltya 9isa tna9az Ana 7ayadt 7achma nbda nwa9ar Ndawab cha7ma w n7ayad lw9ar Mosghob chibi tla7 f 9ar9ara Nla3bo match tsarwil natija ayjiba Papa Noel m3ah f chakara A7em, tsala l'instru wella

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Writers: L’Morphine

Interlude

Interlude

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