Song Meaning
The lyrics paint a vivid, almost unsettling portrait of a lover who is more artifice than person. The narrator describes a "neon mouth with the blinkers-off smile" and "lady-chrome-covered clothes," immediately establishing a sense of artificiality and detachment. This isn't a warm, human connection; it's a display, a "colorful time" that feels manufactured, like an "electric sign." The initial impression is of someone stylish and unique, but the underlying reality suggested is one of superficiality.
The central tension arises from the narrator's perception of this lover as both desirable and deeply artificial, a "plastic fantastic lover." While acknowledging her "aluminum finish, slightly diminished," which hints at wear and tear, the narrator still declares it "the best I ever have seen." This implies a fascination with the manufactured, a preference for the artificial over the authentic. The lover is described as a "used machine" and "cosmetic baby plugged into me," highlighting a transactional or mechanical relationship that the narrator seems to embrace, even as it drains them.
The most striking aspect of the craft is the consistent use of mechanical and technological imagery to describe a person. Phrases like "rattlin' cough never shuts off," "electrical dust is starting to rust," and references to "data control and IBM" create a stark contrast with the idea of a romantic partner. This dehumanization, or perhaps re-humanization through a technological lens, is what makes the lyrics so compelling. It suggests a world where human connection is mediated by technology, or where the allure of the artificial has become paramount.
Ultimately, the effectiveness of these lyrics lies in their ability to evoke a specific, almost dystopian form of desire. The narrator's admission that "all I see is drainin' me / On my plastic fantastic lover" reveals the cost of this fascination. It's a powerful commentary on how superficiality and artifice can be captivating, even when they are clearly detrimental, leaving the listener to ponder the nature of connection in a manufactured world.