Believe It

Song Meaning

The lyrics paint a picture of someone shedding a past self, defiant against external judgment. The narrator acknowledges a transformation, stating, "That girl that I was before / I think she's leaving me." This internal shift is met with external gossip, which the narrator dismisses, asserting, "All the shit they talkin' 'bout, ain't got time to worry 'bout it." The core message revolves around embracing this new identity, urging listeners to accept the narrative that's forming. The central tension lies between the narrator's personal evolution and the public's perception. While the narrator is actively moving away from a previous version of themselves, the chorus insists on the truth of what's being said: "Please believe what you heard about me." This creates an intriguing paradox – the narrator is changing, yet the external story is presented as definitive, perhaps even a necessary part of their current reality. The phrase "What they say about looks? (Deceiving)" further complicates this, suggesting that outward appearances or past actions might be misleading, yet the chorus still demands belief. An interesting craft element is the repetition of "Believe it" and its variations, functioning as both a command and a declaration. It’s a forceful assertion that demands acceptance of the narrator's current state, whatever that may entail. The contrast between the internal process of change ("she's leaving me") and the external demand for belief in the existing narrative is stark. The lyrics also employ vivid, though brief, imagery like "city girl, a world of doubt" and "storm was chasin', stayed the route," grounding the abstract idea of personal struggle in tangible, relatable scenarios. Ultimately, the effectiveness of these lyrics stems from their raw, confrontational stance. The narrator isn't asking for understanding, but for acknowledgment of a perceived truth, even if that truth is complex or contradictory. The insistent repetition of "Believe it" coupled with the acknowledgment of having "history" creates a sense of undeniable, perhaps even hard-won, self-possession. It’s a declaration that the past and present, however they appear to others, are the reality the narrator is now embodying.