Song Meaning
The lyrics paint a surreal, almost nightmarish picture of a relationship complicated by a literal, yet strangely animate, pacemaker. Initially, Marta's pacemaker is presented as a life-giving device, a "passenger" that "animates her heart," even described as having "little kicks" and being "alive." This sets a tone of peculiar affection for this mechanical, yet vital, component.
The narrative takes a sharp, disturbing turn with the chorus. The speaker experiences a "blow to the chest," a visceral reaction tied to a desire to kiss Marta, but then the pacemaker "comes out / Between viscera and blood." This violent imagery clashes with the earlier description, suggesting the pacemaker is not just a medical device but a parasitic entity or a manifestation of the speaker's own anxieties about intimacy and Marta's condition.
The second verse escalates the unsettling nature of the pacemaker, personifying it as a monstrous child. It "plays with all the children / Rips their hearts out / Eats them with tomato," a grotesque image that is then ironically juxtaposed with the narrator calling it "the most beautiful creature." This warped affection and the narrator's descent into "manic-depressive madness" highlight a profound psychological disturbance, where the object of affection is both cherished and terrifyingly destructive.
What makes these lyrics so potent is their ability to blend the mundane (a pacemaker) with the horrific (cannibalism, visceral expulsion) and the deeply personal (a desire for a kiss). The repeated phrase "It's identical to his father" adds another layer of disturbing mystery, hinting at a lineage of this strange affliction or a psychological projection onto the child-like pacemaker. The song crafts a unique, unsettling emotional landscape where love, obsession, and madness intertwine around a literal, beating, and ultimately violent, heart.