Medley: It Is He Who Will Be King (Outro) / Daybreak

Song Meaning

The first part of this medley, "It Is He Who Will Be King," introduces a chilling paternalistic declaration. The speaker, addressing "Baron Frankenstein," claims ownership over all his "children" but singles out one as "special" and destined for kingship. This sets a tone of unsettling favoritism and potential usurpation, hinting at a dark, hierarchical power dynamic where one favored entity is elevated above all others, regardless of how they were created or their perceived flaws. The second section, "Daybreak," immediately pivots to a profound sense of melancholy tied to the arrival of light. The narrator repeatedly states, "Here come the daylight, it's making me sad," a stark contrast to the joy typically associated with a new day. This isn't just a fleeting mood; the lyrics emphasize a deep, pervasive sadness that intensifies with the sun's appearance, turning what should be a hopeful transition into an agonizing end. The repetition of "so sad" and "oh no" underscores the overwhelming despair. The lyrical craft in "Daybreak" hinges on a persistent, almost ritualistic invocation of the dawn as an antagonist. The narrator personifies daylight, sunlight, and daybreak as active agents causing pain, heartache, and bringing things to an end. This relentless focus on the negative impact of light, culminating in the desire for a "total eclipse," highlights a profound internal conflict. The "good time last night" is irrevocably shattered by the morning, suggesting a deep-seated aversion to clarity or a painful reality that only the darkness could obscure. This juxtaposition of a dark, possessive pronouncement with the overwhelming sadness of morning creates a potent emotional resonance. The lyrics effectively capture a feeling of dread associated with the inevitable return of a harsh reality after a fleeting moment of solace. The narrator's desperate wish for an eclipse reveals a profound desire to escape the consequences or truths that daylight brings, making the arrival of the sun a source of profound, almost existential, pain.