Song Meaning
The lyrics paint a portrait of a figure who embraces a life outside societal norms, marked by a defiant independence. The opening lines, "Ben melamet hırkasını kendim giydim eğlime" (I myself wore the cloak of blame for my own pleasure), immediately establish a persona that actively chooses a path of social disapproval, finding personal satisfaction in it. This is reinforced by the bold declaration, "Arunumuz şişesini taşa çaldım, kime ne?" (I smashed our wine bottle against a stone, who cares?), suggesting a rejection of conventional pleasures or perhaps a symbolic act of breaking free from constraints, with a dismissive "kime ne?" (who cares?) that underscores their indifference to judgment.
This sense of detachment and self-determination is further explored through a series of contrasting movements. The narrator describes ascending to the heavens to observe the world, only to descend back to earth, where the world observes them: "Kâh çıkarım gökyüzüne seyrederim alemi / Kâh inerim yeryüzüne seyreder alem beni" (Sometimes I ascend to the sky and watch the world / Sometimes I descend to the earth and the world watches me). This cyclical motion suggests a perspective that transcends ordinary existence, while the latter half of the couplet hints at a public persona, perhaps one that is noticed precisely because of its unconventionality.
The lyrics then juxtapose spiritual and worldly pursuits with striking nonchalance. The narrator states, "Kâh giderim medreseye ders okurum hak için" (Sometimes I go to the madrasa to study for truth), indicating a search for knowledge and righteousness. However, this is immediately contrasted with, "Kâh giderim meyhaneye günah benim kime ne" (Sometimes I go to the tavern, the sin is mine, who cares?). This direct comparison highlights a deliberate embrace of both the sacred and the profane, framing personal 'sin' as a private matter, again met with the recurring, unbothered refrain of "kime ne?"
The final section introduces a reference to Nesimi, a historical figure known for his controversial views and tragic end, asking about his relationship with his beloved. The narrator's response, "Hoş olayım olmayayım o yar benim kime ne" (Whether I am happy or not, that beloved is mine, who cares?), echoes the earlier themes of personal ownership and indifference to external opinion. The ultimate "o yar benim kime ne?" (that beloved is mine, who cares?) solidifies the core message: a profound commitment to self-ownership and a resolute disregard for how others perceive their choices, loves, or spiritual path.