Song Meaning
The lyrics present sorrow and joy as two intertwined, almost personified forces, like "two sisters coy." The narrator immediately establishes a central tension: our lives are a constant internal battle between these two states. The "half of our years are teen and tears" directly contrasts with "half are mere delighting," suggesting a fundamental duality in human experience where periods of sadness and happiness are equally weighted.
This duality leads to a specific philosophy on how to navigate life's emotional landscape. When joy is abundant, the lyrics advise a kind of carpe diem: "Take no thought o' the morrow." The implication is that such moments of pure bliss are fleeting, and one shouldn't worry about their eventual end, because "ye shall not miss / To have your turn wi' sorrow." This isn't a call to ignore future problems, but rather an acceptance that sorrow is an inevitable counterpoint to joy.
The most striking aspect is how sorrow is reframed not just as an opposite, but as a necessary teacher. The lyrics state, "And she with ruth will teach you truth / She is man's very med'cin." This elevates sorrow beyond mere suffering, presenting it as a potent remedy that, though harsh, ultimately leads to wisdom and perhaps even spiritual enlightenment, as it "can stuff our heads in" and drive us toward "heav'ns high gate."
The final stanza offers a concluding piece of advice: "Blush not nor blench with either wench." This encourages an equanimity, a refusal to be overly swayed by either extreme emotion. The ultimate wish is for balance: "God send you, son, enough of one / And not too much o' t'other." This carefully crafted perspective makes the lyrics resonate by acknowledging the struggle of emotional extremes while offering a grounded, almost pragmatic approach to finding peace within life's inherent fluctuations.