Song Meaning
This track opens with a plea for love, but with a crucial caveat: "don't ever treat me unkind." The narrator is upfront about past hurts, stating they've "had that trouble already," which has fundamentally altered their perspective, leaving them with "a dark turn of mind." This isn't just a passing mood; it's a defining characteristic born from experience.
The lyrics paint a picture of someone hyper-aware of the world's hidden dangers and melancholic undercurrents. The narrator perceives "bones in the river" and hears "shadows a-calling," suggesting a mind that readily finds darkness and foreboding, even in nature. This heightened sensitivity to negativity is directly linked to their "dark turn of mind," implying a constant state of vigilance against potential harm.
Yet, a fascinating contrast emerges in the bridge. The narrator finds beauty and solace in the night, asking, "ain't the nighttime so lovely to see?" and noting how "all the night birds sing sweetly." This appreciation for the nocturnal world, often associated with mystery and quietude, offers a counterpoint to the fear of unkindness. It suggests that while past trauma has shaped their perception, they can still find moments of peace and even joy in the very elements that might seem unsettling to others.
The song concludes by normalizing this duality. The narrator acknowledges that "some girls are bright as the morning," but asserts that others, like themselves, "have a dark turn of mind." This isn't presented as a flaw, but as a distinct way of being, a different kind of existence that is equally valid. The repetition in the outro emphasizes this acceptance, framing the "dark turn of mind" not as something to be cured, but as an inherent trait, perhaps even a form of resilience forged in hardship.