Song Meaning
The lyrics paint a stark picture of disillusionment with real people, contrasting them unfavorably with fictional characters. The opening lines immediately establish a cynical tone, suggesting that most people are not only unpleasant but also physically unappealing. This sets up a core tension: the perceived perfection of fictional beings versus the messy, often disappointing reality of human interaction. The narrator finds solace and superiority in imagined worlds where characters are 'perfect,' while real-life humans 'have me wrecked.'
The central conflict arises from this stark dichotomy. While acknowledging that 'some people can be great,' this positive attribute is quickly overshadowed by the suggestion that it's not their 'only trait,' implying that negative qualities like being 'abusive' or 'intrusive' are inevitable. This leads to a desire to escape reality, with one narrator wanting to 'hide' from the majority of people and the other hoping for future experiences to 'copy what I reflect' – a clear yearning for idealized scenarios.
A key craft element is the direct comparison between reality and fiction, often using pop culture references. Characters like 'Todoroki, icy hot' and 'Danny Phantom' are held up as superior to actual humans, highlighting a preference for curated, idealized personalities. This isn't just a simple preference; it's a critique of human fallibility, where even fictional characters who are 'ghost' or 'icy hot' are deemed 'better than most' real people. The lyrics suggest that the flaws of real individuals make them inherently less appealing than their fictional counterparts.
Ultimately, these lyrics resonate because they articulate a common feeling of being overwhelmed or let down by people. The writing effectively uses specific, relatable (though perhaps niche) fictional examples to amplify the feeling of disappointment with the real world. The bluntness of the title and opening lines, coupled with the detailed, albeit brief, comparisons, creates a potent expression of social fatigue and a longing for the predictable, often more appealing, nature of fictional existence, even while conceding that 'for music, humans are worth it.'