
George Herbert - Non-Music, Lyric Poem (Literature)
Vanity (I) by George Herbert Lyrics
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Lyrics
The fleet Astronomer can bore And thread the spheres with his quick-piercing mind: He views theirs stations, walks from door to door, Surveys, as if he had designed To make a purchase there: he sees their dances, And knoweth long before, Both their full-eyed aspects, and secret glances. The nimble Diver with his side Cuts through the working waves, that he may fetch His dearly-earned pearl, which God did hide On purpose from the ventrous wretch; That he might save his life, and also hers, Who with excessive pride Her own destruction and his danger wears. The subtle Chymick can devest And strip the creature naked, till he find The callow principles within their nest: There he imparts to them his mind, Admitted to their bed-chamber, before They appear trim and drest To ordinary suitors at the door. What hath not man sought out and found, But his dear God? who yet his glorious law Embosoms in us, mellowing the ground With showres and frosts, with love and awe, So that we need not say, Where's this command? Poor man, thou searchest round To find out death, but missest life at hand.
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Meaning of "Vanity (I)" by George Herbert
The lyrics present a series of human endeavors – an astronomer charting the stars, a diver seeking pearls, and a chemist analyzing matter – all framed as attempts to understand and possess the world. These figures, with their "quick-piercing mind" and ability to "devise" and "strip the creature naked," represent humanity's drive for knowledge and control. Yet, the text subtly critiques this pursuit by highlighting how these efforts are ultimately superficial, like a suitor seeing "dances" and "secret glances" but missing deeper truths, or a chemist finding "callow principles" before they are "drest." The central tension emerges in the contrast between human striving and divine provision. While humanity "sought out and found" many things, the lyrics suggest these discoveries pale in comparison to what God has provided. The divine is depicted as actively "embosom[ing]" law and guidance, using natural forces like "showres and frosts" and emotional states like "love and awe" to make understanding accessible. This implies that human intellectual and physical efforts, though impressive, are often misdirected or unnecessary when divine truth is readily available. The most striking craft element is the recurring motif of stripping away external appearances to find inner essence, only to reveal that the true essence is already divinely placed or understood. The astronomer sees "stations" and "dances," the diver fetches a hidden pearl, and the chemist finds "callow principles." However, the final stanza pivots to reveal that God has already "embosom[ed]" His law within us, making our exhaustive searches for external validation or understanding ultimately futile. The poem concludes with a poignant observation: man "searchest round / To find out death, but missest life at hand," suggesting a profound irony in our diligent, yet misguided, quest for meaning. This piece is effective because it uses concrete examples of human ingenuity to illustrate a spiritual point about misplaced effort. The imagery of the astronomer, diver, and chemist grounds the abstract idea of seeking knowledge in tangible actions. By contrasting these active pursuits with the passive, yet profound, act of divine revelation, the lyrics create a sense of gentle rebuke and profound realization. The final lines deliver a powerful, almost melancholic, punch, urging a re-evaluation of where we direct our intellectual and emotional energy.
This AI-assisted editorial analysis was reviewed, improved, and approved by the LyricsWeb editorial team.
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Credits
- Writers
- George Herbert